Medieval and Renaissance Drama in England

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Articles in Annual, 2007 issue of Medieval and Renaissance Drama in England

• Foreword
  by S.P. Cerasano
• Racial impersonation on the Elizabethan stage: the case of Shakespeare playing Aaron
  by Imtiaz Habib
• The folly of racism: enslaving blackface and the "natural" fool tradition
  by Robert Hornback
• Moorish dancing in the Two Noble Kinsmen
  by Sujata Iyengar
• Ophelia's "old lauds": madness and hagiography in Hamlet
  by Alison A. Chapman
• '"Now wole I a newe game begynne": staging suffering in King Lear, the mystery plays and Grotius's Christus Patiens
  by Beatrice Groves
• Curtains on the Shakespearean stage
  by Frederick Kiefer
• Imagining the actor's body on the early modern stage
  by Jeremy Lopez
• "Ick verstaw you niet": performing foreign tongues on the early modern English stage
  by Andrew Fleck
• The succession of sots, or fools and their fathers
  by John H. Astington
• An early seventeenth-century playhouse in Tonbridge, Kent
  by James M. Gibson
• This strange, eventful history …
  by Andrew James Hartley
• Drugs, medicine, and the early modern stage
  by Stanton B. Garner, Jr.
• Racism, Misogyny, and the "Othello" Myth: Inter-racial Couples from Shakespeare to Spike Lee
  by Christy Desmet
• Humoring the Body: Emotions and the Shakespearean Stage
  by Eric Johnson-DeBaufre
• Shakespeare's Violated Bodies: Stage and Screen Performance
  by Deneen Senasi
• The Early Modern Corpse and Shakespeare's Theatre
  by Heather Hirschfeld
• Performing Blackness on English Stages, 1500-1800
  by Francesca T. Royster
• Masculinity, Anti-Semitism and Early Modern English Literature: From the Satanic to the Effeminate Jew
  by Peter Berek