References

Communication Research Trends, March, 2005 by Terry Lindvall

Hoover, S. M. & Clark L. S. (Eds.) (2002). Practicing religion in the age of media. New York: Columbia University Press.

Hopkins, E. (1990, February). Religion in extremis. Premiere, 95-98.

Horton, R. (1999). Snoochie boochies: The Gospel according to Kevin Smith. Film Comment, 35(6), 60-65.

Howard, J. (1996). Hallelujah! Transformation in film. African-American Review, 30(3), 441-451.

Hulsether, M. (1999). Sorting out the relationships among Christian values, U.S. popular religion, and Hollywood films. Religious Studies Review 25(1), 3-11.

Hurley, N. P. (1970). Theology through film. New York: Delta.

Hurley, N. P. (1975). Toward a film humanism. New York: Delta. [Reprint of Theology through film]

Hurley, N. P. (1978). Reel revolution: A film primer on liberation. Maryknoll, NY: Orbis Books.

Hurley, N. P. (1982). Cinematic transfigurations of Jesus. In J. R. May & M. Bird (Eds.), Religion in Film (pp. 61-78). Knoxville: University of Tennessee Press.

Hurley, N. P. (1992). On the waterfront: Rebirth of a 'contenduh.' In J. R. May (Ed.), Image & likeness:

Religious visions in American film classics (pp. 96-103). New York : Paulist Press.

Hutson, J. H. (1998). Religion and the founding of the American Republic film series. Washington, DC: Library of Congress [Mary Pickford Theatre].

Iorio, S. H. (1996). How Mennonites use media in everyday life. In D. A. Stout & J. M. Buddenbaum (Eds.), Religion and mass media: Audiences and adaptations (pp. 211-227). New York, NY: Charles Scribner's Sons.

Irwin, M. (1998). Pulp and the pulpit: The films of Quentin Tarantino and Robert Rodriquez. Literature and Theology, 12(1), 70-81.

Irwin, W. (Ed.). (2002). The Matrix and philosophy: Welcome to the desert of the real vol. 3. Chicago, IL: Open Court. Jackson, B. F. (Ed.). (1969). Television--radio--film for churchmen. (Communication for churchmen, Vol. 2). Nashville, Abingdon.

Jackson, K. (Ed.). (1990). Schrader on Schrader and other writings. London: Faber and Faber.

Jacobs, L. (1997). The wages sin: Censorship and the fallen woman film, 1928-1942. Berkeley: University of California Press.

Jaehne, K. (1999). A film review of Saving Private Ryan. Film Quarterly, 5(53), 39-41.

James, N. (2004, April). Hell in Jerusalem. Sight & Sound, 14-18.

Jewett, R. (1993). St. Paul at the movies: The apostle's dialogue with American culture. Louisville, KY: Westminster/John Knox Press.

Jewett, R. (1997). Stuck in time: Kairos, chronos, and the flesh in Groundhog Day. In C. Marsh, & G. Ortiz (Eds.), Explorations in theology and film: Movies and meaning (pp. 155-165). Oxford: Blackwell.

Jewett, R. (1999). Saint Paul returns to the movies: Triumph over shame. Grand Rapids, MI: Eerdmans.

John Paul II. (2000). Giovanni Paolo II e il cinema, tutti i discorsi. Rome: Ente dello Spettacolo.

John of Damascus. (1997). On the divine images: Three apologies against those who attack the divine images (D. Anderson, Trans.). Crestwood, NY: St. Vladimir's Seminary Press.

Johnston, Robert (2000a). An example: The films of Peter Weir. In R. K. Johnston, Reel spirituality: Theology and film in dialogue (pp. 173-195). Grand Rapids: Baker.


 

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