Australasian Drama Studies

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Articles in Apr 2007 issue of Australasian Drama Studies

• Editorial note
  by Milne, Geoffrey
• A Theatre of Difference
  by Keene, Daniel
• Finch, Fry and Factories: A Brief History of Mercury Theatre
  by Vagg, Stephen
• Chinese Acrobatics Unmasked in Australian Circus in the Nineteenth Century1
  by Farrell, Rosemary
• Anti-colonial Voices? Non-British Accents and the National Authentication of Shakespeare in Australia in the 1970s
  by Fotheringham, Richard; Pensalfini, Rob
• Dramaturgy as Political Desire: Making a Democratic Space - the Orestes Trilogy (Melbourne, Australia, 1974)
  by Rogers, Meredith
• Lindy Davies: A Path to a Process
  by Ginters, Laura
• Te Kaainga/Where The Fire Burns - Hone Kouka's Trilogy: Waiora, Homefires and The Prophet
  by Edmond, Murray
• Dis/identification in Contemporary Physical Performance: NYID's Scenes of the Beginning from the End
  by Hadley, Bree
• An Empowering Practice?: Urban Theatre Projects' Recent Work in Residence, Community Cultural Development and International Arts Festivals
  by McEwen, Celina
• Still Rehearsing the Revolution? 'Theatre of the Oppressed', State Subsidy and Drug War Politics
  by Dwyer, Paul
• A Resurgence of Verbatim Theatre: Authenticity, Empathy and Transformation
  by Anderson, Michael; Wilkinson, Linden
• Recognising and Misrecognising the 'X' Factor: The Audition Selection Process in Actor-training Institutions Revisited
  by Seton, Mark
• On the Record: An Account of Regional Non-Theatregoers' Responses to a Selection of Plays Toured to Northern Australia in 2004-05
  by Scollen, Rebecca
• Australian Plays for the Colonial Stage 1834-1899
  by Kelly, Veronica
• Contemporary Australian Drama
  by D'Cruz, Glenn
• Theorizing the Angura Space: Avant-garde Performance and Politics in Japan, 1960-2000
  by Jaffe, Jerry C
• Plays 1: Small Towns and Sea. Horseplay, Flipside, Trick of the Light
  by Halba, Hilary
• Downstage Upfront: The First 40 Years of New Zealand's Longest-Running Professional Theatre
  by O'Donnell, David
• Shakespeare in the Worlds of Communism and Socialism
  by Hourigan, Ben
• Tatsumi Hijikata and Kazuo Ohno
  by Tampalini, Serge
• Ethno-techno: Writing on Performance, Activism, and Pedagogy
  by Filmer, Andrew