Australasian Drama Studies

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Articles in Oct 2008 issue of Australasian Drama Studies

• Wayne Blair in Interview
  by Meyrick, Julian
• NYID Workshop: Physical Performance in Space, The
  by de Miranda, Maria Brigida
• Nanjing Project: Chinese Acrobatics, Australian New Circus and Hybrid Intercultural Performance
  by Farrell, Rosemary
• Moving into Performance: Using the Principles of the Alexander Technique to Underpin and Enhance an Actor's Training
  by Dowling, Niamh
• Jacques Lecoq's Bouffons in Australia
  by Everett, Lynn
• Three Plays: Skin Tight, Mo & Jess Kill Susie, An Unseasonable Fall of Snow
  by Warrington, Lisa
• Riflemind
  by Seton, Mark
• Number Two and Bare
  by Halba, Hilary
• Plays of the '50s, Volume 1
  by Novakovic, Jasna
• Strangers Inbetween and adaptation of Timothy Conigrave's Holding the Man
  by Broinowski, Adam
• Performing Aotearoa: New Zealand Theatre and Drama in an Age of Transition
  by Jaffe, Jerry
• Class Act: Melbourne Workers Theatre 1987-2007
  by Broinowski, Adam
• It Just Stopped and Myth, Propaganda and Disaster in Nazi Germany and Contemporary America: A Drama in 30 Scenes
  by Seton, Mark
• Stage Presence
  by D'Cruz, Glenn
• Theatre of Socìetas Raffaello Sanzio, The
  by Trezise, Bryoni
• Actors and Chairs: Towards the Genealogy of a Rehearsal Room Exercise
  by Rogers, Meredith
• Bodies Perform Inner Emotions: Stanislavski's Legacy
  by Tait, Peta
• Physical Practice/Imaginal Play: Undisciplining the Performer
  by Laing, Barry
• Traditions and Training in Rehearsal Practice
  by Rossmanith, Kate
• Influences, Institutions and Outcomes: A Survey of Masters and Doctoral Theses on Actor Training in Australia, 1979-2004
  by Hadley, Bree
• 'The Bennelong Complex': Critical Perspectives on Contemporary Indigenous Theatre and Performance Practice and the Cross-cultural Experience in Australia
  by Syron, Liza-Mare
• Introduction: Lineages, Techniques, Training and Tradition
  by Rogers, Meredith; Schafer, Elizabeth
• Lighthouse: A 'Mainstage' Ensemble Experience
  by Milne, Geoffrey
• 'All Exercise Sessions to Take Place in Complete Silence': Performance Syndicate and the Rise and Fall of the Grotowskian Ideal 1969-1974
  by Maxwell, Ian
• Lineages, Training, Techniques and Tradition: Rethinking the Place of Rusden in Melbourne's Contemporary Theatre - A Roundtable Discussion
  by Eckersall, Peter; Prior, Yoni
• Place of Theatre Practice: Training and Aesthetic Tradition at Belvoir Street, The
  by Filmer, Andrew
• Haresh Sharma: The Cultural Politics of Playwriting in Contemporary Singapore
  by Peterson, William