Zeman, Karel
International Dictionary of Film and Filmmakers, (2000) by Vladimír Opěla
ZEMAN, Karel
Animator. Nationality: Czech. Born: Ostroměř, 3 November 1910. Career: 1930–36—worked in France as poster designer, window dresser, artist with various advertising agencies; 1943—animator in Bata Film Studio at Zlín (now Gottwaldov); assistant director to Hermína Týlová; 1945—director, organizer of 2nd production group for puppet films at Gottwaldov Film Studio; 1955— A Journey into Primeval Times established international reputation. Awards: National Artist, 1970; Order of the Republic, 1980. Died: In Gottwaldov, 5 April 1989.
Films as Animator, Writer and Art Director:
1946
Vánočni ( The Christmas Dream ) (co-d + sc only; comb. puppet and feature film); Podkova pro štěstí ( A Hoseshoe for Luck ) (Puppet film); Křeček ( The Hamster ) (Puppet film)
1947
Pan prokouk úřaduje ( Mr. Prokouk in the Office ) (puppet film); Pan Prokouk v pokušeni ( Mr. Prokouk in Temptation ) (puppet film); Brigady ( Mr. Prokouk Leaves for Volunteer Work ) (puppet film)
1948
Pan Prokouk filmuje ( Mr. Prokouk Is Filming ) (puppet film); Pan Prokouk vynálezcem ( Mr. Prokouk, the Inventor ) (puppet film)
Karel Zeman
1949
Inspirace ( Inspiration ) (puppet film)
1950
Král Làvra ( King Lavra ) (puppet film)
1952
Poklad Ptačího ostrova ( The Treasure of Bird Island ) (puppet film)
1955
Cesta do pravěku ( A Journey into Prehistory; A Journey into Primeval Times ) ("trick-film"); Pan Prokouk, přítel zvířátek ( Mr. Prokouk, the Animal Lover ) (puppet film)
1958
Vynález zkàzy ( An Invention for Destruction ) ("trick-film")
1961
Baron Prášil ( Baron Münchhausen ) ("trick-film")
1964
Bláznova Kronika ( A Jester's Tale ) (puppet film)
1966
Ukradená vzducholod ( The Stolen Airship ) ("trick-film")
1970
Na Kometě ( On the Comet ) ("trick-film")
1974
Pohádky tisíce a jedné noci ( A Thousand and One Nights ) (paper cut animation)
1977
Carodějuv učen ( Krabat ) (paper cut animation)
1980
Pohádka o Honzikovi a Mařence ( The Tale of John and Mary ) (paper cut animation)
Other Films:
1955
Strakonický dudák ( The Piper of Strakonice ) (co-special effects); Cerný démant ( The Black Diamond ) (sc + art d)
1957
Pan Prokouk detektivem ( Mr. Prokouk, the Detective ) (sc)
1958
Pan Prokouk abrobat ( Mr. Prokouk, the Acrobat ) (sc + art d)
1972
Pan Prokouk hodinářem ( Mr. Prokouk, the Watchmaker ) (sc + art d)
Publications
By ZEMAN: articles—
"Comment j'ai tourné Une Invention diabolique ," in Image et Son (Paris), November 1959.
Midi-Minuit Fantastique (Paris), December-January 1966–67.
On ZEMAN: books—
Benešová, Marie, Karel Zeman , Prague, 1968.
Karel Zeman (in French), Ceskoslovensky Filmexport, Prague, 1968.
Hořejši, J., Karel Zeman , Prague, 1970.
Asenin, Sergei, Fantastičeskij kinomir Karela Zemana , Moscow, 1979.
On ZEMAN: articles—
Martin, Marcel, "Karel Zeman, ou, L'Impossible n'est pas tchèque," in Cinéma (Paris), no. 34, 1959.
Delahaye, Michel, "Aventures fantastiques," in Cinéma (Paris), no. 38, 1959.
Thirard, P.-L., "Le Diabolique Karel Zeman," in Les Lettres françaises (Paris), 15 January 1959.
Libuse, Konradova, "Putting on a Style," in Films and Filming (London), June 1961.
Philippe, P., "Le Baron de Crac rencontre le mage Zeman," in Les Lettres françaises (Paris), 26 April 1962.
Polt, Harriet, "The Czechoslovak Animated Film," in Film Quarterly (Berkeley, California), Spring 1964.
Benesová, Marie, "Karel Zeman ce nouveau Méliès," in Jeune Cinéma (Paris), December-January 1964–65.
Hrbas, J., "Karel Zeman—Puvab chlapecké romantiky," in 3 parts, in Film a Doba (Prague), January, February, and March 1974.
Kliment, J., "Odpovčdnost umělcova—odpovědnost k umělci," in Film a Doba (Prague), October 1974.
Boček, Jaroslav, "Zlínští po osvobozeni," in Panoráma (Prague), no. 3, 1978.
Benešová, M., "Zápas o tvar," in Film a Doba (Prague), December 1980.
Film a Doba (Prague), November 1985.
CinémAction (Conde-sur-Noireau), no. 51, April 1989.
Obituary in EPD Film (Frankfurt), vol. 6, no. 5, May 1989.
Film a Doba (Prague), July 1989.
Film a Doba (Prague), August 1989.
Monsterscene (Lombard), Summer/Fall 1995.
* * *
While in Cesta do pravěku Zeman attempted to reconstruct a world that once existed, in his work Vynález zkázy ( An Invention for Destruction ), based on Jules Verne's novel Face au drapeau , he created a new world inspired by the illustrations that accompanied the first editions of Verne's novels. With considerable grace, Zeman attained in this film the magic of the old Verne stories, "that enchantment from naiveté, poetry, and geniality of Verne's novels that anticipated technical discoveries at the end of the century" (M. Benešová). In a perfect form he joined the techniques of the cartoon, animated, and live-action film and created a film in which actor, cartoon figure, structure, and scenery are a part of the graphic style. With this work Zeman revived and refined the forgotten Méliès mode of filmmaking and created his own style—that of the graphic special-effects film. Encouraged by the film's worldwide success, Zeman made another in the same style. This time he chose Bürger's novel Baron Prášil ( Baron Münchhausen ). Here, too, the graphic design is based on the original illustrations for the novel. Unlike its predecessor, however, this film was devoted more to the acting, while the graphic aspect was enriched through the emotive use of color. In subsequent films of this tendency the live-action component began to predominate.
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