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Scene, symbol, subversion: The evolving uses of mapping in Margaret Atwood's fiction.
American Review of Canadian Studies, September, 2001 by Shechels, Theodore F.; Sweeney, Kathleen Mackin
In several of her novels, Margaret Atwood offers a clear picture of Toronto. That picture is so accurate that, when the Modern Language Association met in Toronto in 1997, The Margaret Atwood Society could sponsor a walking tour of the city guided by the text of Cat's Eye (1989). Whether the novel is the early The Edible Woman (1969) or the later The Robber Bride (1993), this geographical precision is present throughout the fiction.
Atwood, however, gradually moves beyond the simple provision of accurately rendered scenes; she uses mapped places in Toronto metaphorically in the ...
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