Comparative Drama

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Articles in Spring-Summer, 2002 issue of Comparative Drama

• Laughter in medieval English drama: a critique of modernizing and historical analyses
  by Hans-Jurgen Diller
• Writing and revenge: John Marston's Histriomastix
  by James P. Bednarz
• Soft touch: on the Renaissance staging and meaning of the "Noli me tangere" icon
  by Cynthia Lewis
• Tragedy and Timon of Athens
  by Robert B. Pierce
• Sights unseen: withholding information in the plays of Thomas Bernhard
  by William E. Gruber
• O'Neill and the Wobblies: the IWW as a model for failure in The Iceman Cometh
  by Lawrence Dugan
• Maturation and political upheaval in Lloyd Fernando's Scorpion Orchid and Robert Yeo's The Singapore Trilogy
  by Catherine Diamond
• The Arlecchino and three English tinkers
  by Nina Da Vinci Nichols
• Rubin and Mercator: grotesque comedy in the German Easter Play
  by Martin W. Walsh
• Joel Berkowitz. Shakespeare on the American Yiddish Stage
  by David Bleich
• Zdenek Stribrny. Shakespeare and Eastern Europe
  by Nicholas Rzhevsky
• Alexander Shurbanov and Boika Sokolova. Painting Shakespeare Red: An East-European Appropriation
  by Felicia Hardison Londre
• Roger A. Hall. Performing the American Frontier, 1870-1906
  by Nicolas Witschi
• Gonda A. H. van Steen. Venom in Verse: Aristophanes in Modern Greece
  by Kiki Gounaridou
• Bruce Stewart, ed. Beckett and Beyond
  by Vanden Heuval Michael
• Sarah Beckwith. Signifying God: Social Relations and Symbolic Act in the York Corpus Christi Plays
  by Victor Scherb
• Nicholas Grene. Shakespeare's Serial History Plays
  by David M. Bergeron
• Kathleen Ashley and Wim Husken, eds. Moving Subjects: Processional Performance in the Middle Ages and the Renaissance
  by Clifford Davidson
• Helka Maniken, S. E. Wilmer, and W. B. Worthen, eds. Theatre, History, and National Identities
  by Stratos E. Constantinidis
• Lois Potter and Arthur F. Kinney, eds. Shakespeare: Text and Theater. Essays in Honor of Jay L. Halio
  by John R. Ford