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DORIT MARGREITER.(Brief Article)

Artforum International,  June, 2000  by Kravagna, Christian

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To write for a primarily American readership about an exhibition by a European artist concerned with the commonplaces of American television presents a certain difficulty. Despite their worldwide dissemination through the media, the depicted cultures of high school, cheerleaders, or the Super Bowl, for example, are nonetheless very particular and cannot be quoted with the same self-assurance as they can within their own culture. On the other hand, our European understanding of American life is shaped in great part precisely by its cliched reflection in the media.

In Dorit ...

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