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SOWON KWON.(exhibition)(Brief Article)
Artforum International, March, 2001 by Baker, George
WHITNEY MUSEUM AT PHILIP MORRIS
"I like generic, deadpan titles." Such was Sowon Kwon's apt comment on her recent installation Two or Three Corridors, 2000, a work christened while the artist was evidently in a '60s state of mind-think of the piece as the indecisive offspring of Richter's Eight Student Nurses, or Ruscha's Twentysix Gasoline Stations, or Kosuth's One and Three Chairs. Kwon's installation itself, however, was structured more in the spirit of Michael Asher's "situational aesthetics," as the artist displaced a series of works from the collection of ...
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