PHYLLIS BALDINO.(exhibition)(Brief Article)

PIEROGI

Video's ability to highlight the elasticity of time has fascinated artists for over thirty years (consider Bruce Nauman's Video Corridor of 1968-70 or Nam June Paik's 1974 TV Buddha). Phyllis Baldino's two recent video installations (both 2000) further this tradition by exploring the negative consequences of the compression of time. Like the structuralist filmmakers of the '60s and '70s, Baldino imposes strict temporal and conceptual limits on her investigations yet extends her project well beyond a medium-specific critique.

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