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Wayne Gonzales: Paula Cooper Gallery. (New York).(exhibition of photo-derived paintings)(Brief Article)
Artforum International, December, 2001 by Kantor, Jordan
By addressing the complex relation between photography and the construction and dissemination of history, Wayne Gonzales's new work inserts itself in what appears to be a burgeoning genre: post-photographic history painting. Taking the 1963 assassination of President John F. Kennedy as their point of departure, these photo-derived acrylics (all 2001 recall other recent art that has tackled politically weighty subject matter--Gerhard Richter's 18.
Oktober 1977 paintings, Luc Tuymans's Belgian Congo series, and, perhaps most pointedly, Andy Warhol's own chronicles of the Kennedy ...
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