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Bear necessities.( Rachel Harrison)
Artforum International, November, 2002 by Anton, Saul; Hainley, Bruce
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In the dimly received 2002 Whitney Biennial commentators from diverse, even rival camps found one bright spot: Rachel Harrison's slipshod constructions that serve both as sculptures and as supports for found photos and objects. In light of the surprise critical accord, Saul Anton and Bruce Hainley offer their thoughts on an art that plays one medium off another.
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SAUL ANTON
It's snotty, I know, but I tend to become that much more interested in an artist if, say, a journalist from one of the glossies turns to me and says: "I don't get it. I mean, isn't this ...
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