Matthew Drutt on Luisa Lambri. (First Take).

AT A GLANCE, LUISA LAMBRI'S PHOTOGRAPHS OF architectural interiors might appear to be yet another example of the austere, depopulated spaces found in so much of today's photo-based work. They are, however, eminently different in both conception and execution, at once deeply personal and ethereal rather than wholly impartial and concrete, suffused with a delicacy and intimacy that is diametrically opposed to the stark realism found in the works of, say, Thomas Ruff or Candida Hofer.

Since Lambri initiated what has become a sustained engagement with architecture and photography in ...

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