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Cody Choi: PKM Gallery.(Seoul)
Artforum International, February, 2004 by Rimanelli, David
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When Cody Choi moved from Seoul to Los Angeles at age twenty-two, he experienced a particularly painful and protracted form of homesickness: Speaking poor English and ill at ease in the radically different social milieu, the artist suffered from frequent nausea. Pepto-Bismol, his preferred antidote--he consumed as much as a bottle a day--became the material of his first significant work: replicas of cliched masterpieces like Rodin's Thinker and the Venus de Milo, all made out of toilet paper soaked in the sick pink, over-the-counter gastrointestinal medication.
In the late '90s, he ...
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