Artforum International

View more issues: June 2005, September 2005, November 2005

Articles in October 2005 issue of Artforum International

• Simon Starling: Museum fur Gegenwartskunst.(Critical Essay)
  by Reust, Hans Rudolf
• Paul Sarkisian: Site Santa Fe.(Critical Essay)
  by Berkovitch, Ellen
• "Post No Bills": White Columns.(Critical Essay)
  by Wilson, Michael
• Sarah Lucas: Kunstverein Hamburg.(Critical Essay)
  by Miller, John
• Man without qualities.(Michael Krebber)(Critical Essay)
• "Mots d'ordre mots de passe": Espace Paul Ricard.(Critical Essay)
  by Rian, Jeff
• Michael Brophy: Hallie Ford Museum of Art, Willamette University.(Critical Essay)
  by Raymond, Jonathan
• Max Beckmann and Otto Dix: Neue Galerie.(Critical Essay)
  by Avgikos, Jan
• Richard Tuttle: San Francisco Museum of Modern Art.(Critical Essay)
  by Wagner, Anne M.
• Cathy Wilkes.(TOP TEN)
• Luisa Rabbia: Giorgio Persano.(Critical Essay)
  by Drake, Cathryn
• Nicola Lopez: Irvine Contemporary Art.(Critical Essay)
  by Wennerstrom, Nord
• Bill Owens: James Cohan Gallery.(Critical Essay)
  by Sholis, Brian
• Matthew Monahan.(Openings)(Critical Essay)
  by Schambelan, Elizabeth
• Faulty transmission: Michelle Kuo on Robert Whitman.(TECH)(Critical Essay)
  by Kuo, Michelle
• David Haines and Joyce Hinterding: Artspace.(Critical Essay)
  by Auslander, Philip
• Vanessa Beecroft: Galleria Massimo Minini.(Critical Essay)
  by Verzotti, Giorgio
• Michael Schmelling: Bucket Rider Gallery.(Critical Essay)
  by Yood, James
• William Eggleston: Cheim & Read.(Critical Essay)
  by Burton, Johanna
• Michael S. Riedel.(Openings)(Critical Essay)
  by Birnbaum, Daniel
• Mediating circumstances: Steven Henry Madoff on the festival d'Avignon.(PERFORMANCE)
  by Madoff, Steven Henry
• Dorothy Cross: Irish Museum of Modern Art.(Critical Essay)
  by Mac Giolla Leith, Caoimhin
• Eva Marisaldi: Galleria S.A.L.E.S.(Critical Essay)
  by Janus, Elizabeth
• "Coming Home!: Self-Taught Artists, the Bible, and the American South"; Museum of Biblical Art.(Critical Essay)
  by Borum, Jenifer P.
• Charles Sandison: Yvon Lambert.(Critical Essay)
  by Schwendener, Martha
• Portrait of an Image: a portfolio by Roni Horn.
  by Sedofsky, Lauren
• Remastered narrative: Aaron Betsky on Herzog & de Meuron's de Young Museum.(ARCHITECTURE)
  by Betsky, Aaron
• Lucia Nogueira: the Drawing Room at Tannery Arts.(Critical Essay)
  by Mears, Emily Speers
• David Armando Guerra: Belleza Y Felicidad.(Critical Essay)
  by Gainza, Maria
• "Make It Now": SculptureCenter.(Critical Essay)
  by Ammirati, Domenick
• Banks Violette: Whitney Museum of American Art.(Critical Essay)
  by Barliant, Claire
• A certain slant of light: James Quandt on the films of Hou Hsiao-hsien.(Critical Essay)
  by Quandt, James
• Mothers' day: Amy Taubin on Chantal Akerman.(FILM)(Critical Essay)
  by Taubin, Amy
• Hurvin Anderson: Thomas Dane.(Critical Essay)
  by Herbert, Martin
• Sebastian Ludwig: Patrick Painter, Inc.(Critical Essay)
  by Miles, Christopher
• Kayrock and Wolfy: Jessica Murray Projects.(Critical Essay)
  by Pasquariello, Lisa
• Darren Almond: Matthew Marks Gallery.(Critical Essay)
  by Kastner, Jeffrey
• Only connect: the art of B. Wurtz.(Critical Essay)
  by Hainley, Bruce
• Tours de force: Andrew Solomon on Ballets Russes.(FILM)
  by Solomon, Andrew
• Martin Munkacsi: Deichtorhallen Hamburg.(Critical Essay)
  by Jahn, Wolf
• Gary Lee Boas: Karyn Lovegrove Gallery.(Critical Essay)
  by Hainley, Bruce
• Mike Bouchet: Maccarone, Inc.(Critical Essay)
  by Hall, Emily
• Aernout Mik: New Museum of Contemporary Art.(Critical Essay)
  by Schambelan, Elizabeth
• Lost in translation: Christoph Cox on sound in the discourse of synaesthesia.
  by Cox, Christoph
• Exquisite Corporation: Christopher Bollen on Reena Spaulings.(BOOKS)(Book Review)
  by Bollen, Christopher
• Michael Elmgreen and Ingar Dragset: Klosterfelde (Linienstrasse).(Critical Essay)
  by Allen, Jennifer
• Liz Larner: Regen Projects.(Critical Essay)
  by Holte, Michael Ned
• Liu Zheng: Yossi Milo Gallery.(Critical Essay)
  by Hudson, Suzanne
• "Open Systems": Tate Modern.(Critical Essay)
  by Meyer, James
• 1000 words: Mike Kelley talks about "Day Is Done" (2005).
  by Welchman, John C.
• Incisive retort: Michael Hardt on Afflicted Powers.(Afflicted Powers: Capital and Spectacle in a New Age of War)(BOOKS)(Book Review)
  by Hardt, Michael
• Aglaia Konrad: Frehrking Wiesehofer.(Critical Essay)
  by Wege, Astrid
• Jim Melchert: Gallery Paule Anglim.(Critical Essay)
  by Porges, Maria
• Glen Baxter: Flowers.(Critical Essay)
  by Wilson, Michael
• Miroslav Tichy: Kunsthaus Zurich.(Critical Essay)
  by Schwabsky, Barry
• Tent community: Jack Bankowsky on art fair art.
  by Bankowsky, Jack
• The Big "A": Robert Storr on Al Held.(PASSAGES)(Obituary)
  by Storr, Robert