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Lucia Nogueira: the Drawing Room at Tannery Arts.(Critical Essay)

Artforum International,  October, 2005  by Mears, Emily Speers

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Lucia Nogueira's quietly confident drawings occupy the twilight in which reality loosens its hold on the everyday. Many appear to be straightforward experiments in color incorporating elements of Nogueira's sculptures: gray test tubes, a funnel framed by a smooth ocher brushstroke, a row of colored lines, abstract scribbles, or an ink-soaked page with a thick drip of enamel near its top.

As a result, the works' occasional strangeness takes you by surprise. One column of five yellow blobs has a cartoonish helicopter landing at its top (Untitled, 1995); elsewhere, pearly teeth loom ...

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