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Liz Larner: Regen Projects.(Critical Essay)
Artforum International, October, 2005 by Holte, Michael Ned
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In her first exhibition on home turf since a 2001 retrospective at LA MOCA, and her first solo show at Regen Projects since 1997/98, Liz Larner positioned herself as a dedicated, if sly, student of her own sculptural genealogy and a vital force in the emergence of Los Angeles as an epicenter of sculptural innovation. Compared to the retrospective's centerpiece, Untitled, 2001, a massive fractal sphere finished in iridescent green-purple automotive paint, Larner's new work feels rougher around the edges, and better for it.
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Occupying the corner ...
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