Artforum International

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Articles in November 2005 issue of Artforum International

• Chris Burden: Locus+.(Critical Essay)
  by Feuvre, Lisa Le
• Alvise Bittente: Galleria Perugi.(Critical Essay)
  by Pioselli, Alessandra
• James Drake: Rhona Hoffman Gallery.(Critical Essay)
  by Yood, James
• Hanne Darboven: Klemens Gasser & Tanja Grunert, Inc.(Critical Essay)
  by Richard, Frances
• 1000 words: Josiah McElheny; Talks about An End to Modernity and Conceptual Drawings for a Chandelier, 1965, both 2005.
  by Rothkopf, Scott
• Devil in the details: Greil Marcus on Harvey Kurtzman.(MEDIA)
  by Marcus, Greil
• Carl Michael von Hausswolff: Beaconsfield.(Critical Essay)
  by Mears, Emily Speers
• Luis Salaberria: Panta Rhei.(Critical Essay)
  by Llorca, Pablo
• "Down the Garden Path: The Artist's Garden After Modernism"; Queens Museum of Art.(Critical Essay)
  by Harris, Larissa
• "Remote Viewing: invented worlds in recent painting and drawing"; Whitney Museum of American Art.
  by Schwendener, Martha
• History channel: the films of Mathias Poledna.
  by Lee, Pamela M.
• Preserve and project: Malcolm Turvey on two new anthologies of avant-garde film.(Avant-Garde: Experimental Cinema of the 1920s and '30s)(Unseen Cinema: Early American Avant-Garde Film, 1894-1941)(FILM)(Video Recording Review)
  by Turvey, Malcolm
• Maryam Jafri: Malmo Konstmuseum.(Critical Essay)
  by Larsen, Lars Bang
• Alejandro Kuropatwa: Museo de Arte Latino--Americano de Buenos Aires.(Critical Essay)
  by Bartelik, Marek
• Mary Ellen Carroll: Cinema Village/Storefront for Art and Architecture.(Critical Essay)
  by Barliant, Claire
• John McCracken: Zwirner & Wirth.(Critical Essay)
  by Burton, Johanna
• Who do you love? Isa Genzken in conversation with Wolfgang Tillmans.(Interview)
  by Genzken, Isa
• Their so-called life: Norman Bryson on W. J. T. Mitchell.(What Do Pictures Want? The Lives and Loves of Images)(BOOKS)(Book Review)
  by Bryson, Norman
• Otto Muhl: Sammlung Falckenberg/Phoenix Kulturstiftung.(Critical Essay)
  by Jahn, Wolf
• Wang Du: Vancouver Art Gallery.(Critical Essay)
  by Mahovsky, Trevor
• John Beech: Peter Blum.(Critical Essay)
  by Kuspit, Donald
• Sol LeWitt: Metropolitan Museum of Art/Madison Square Park/PaceWildenstein.(Critical Essay)
  by Hudson, Suzanne
• All things being equal.
  by Buchloh, Benjamin H.D.
• Merlin Carpenter: Galerie Christian Nagel.(Critical Essay)
  by Graw, Isabelle
• David Hullfish Bailey: Daniel Hug.(Critical Essay)
  by Tumlir, Jan
• Geert Goiris: Zach Feuer Gallery (LFL).(Critical Essay)
  by Hall, Emily
• Lucy McKenzie: Metro pictures.(Critical Essay)
  by Schambelan, Elizabeth
• In on the ground floor: Avalanche and the SoHo art scene, 1970-1976.
  by Allen, Gwen
• Peter Doig: Museum Ludwig.(Critical Essay)
  by Wege, Astrid
• Mark Grotjahn: Blum & POE.(Critical Essay)
  by Holte, Michael Ned
• Adam Cvijanovic: Bellwether.(Critical Essay)
  by Sholis, Brian
• InSite_05: various venues, San Diego and Tijuana.
  by Tumlir, Jan
• Shapes of things to come.(Elizabeth Murray, painting exhibition)
  by Dunham, Carroll
• Jeff Wall: Schaulager.(Critical Essay)
  by Scharrer, Eva
• Isaac Julien: MAK Center for Art and Architecture.(Critical Essay)
  by Miles, Christopher
• Keith Farquhar: Nyehaus.(Critical Essay)
  by Ammirati, Domenick
• "Russia!": Solomon R. Guggenheim Museum.
  by Tupitsyn, Margarita
• David Adjaye.(top artists)
• Correction.(Correction Notice)
• Michel Auder: (S)extant et plus.(Critical Essay)
  by Moulene, Claire
• Libby Black: Heather Marx Gallery.(Critical Essay)
  by Helfand, Glen
• Jeff Scher: Maya Stendhal Gallery.(Critical Essay)
  by Pasquariello, Lisa
• 9th International Istanbul Biennial: various venues.
  by Demos, T.J.
• Virtual disaster: Jennifer Allen on m7red's inundacion!
  by Allen, Jennifer
• Risaku Suzuki: Gallery Koyanagi.(Critical Essay)
  by Matsui, Midori
• Alain Sechas: Palais de Tokyo.(Critical Essay)
  by Rian, Jeff
• Edward Burtynsky: Iris and B. Gerald Cantor Center for Visual Arts, Stanford University.(Critical Essay)
  by Helfand, Glen
• Corin Sworn: ZieherSmith.(Critical Essay)
  by Wilson, Michael
• Patrick Hill.(OPENINGS)
  by Hainley, Bruce
• Remote viewing: Matthew Stadler on the Time-Based Art Festival.(PERFORMANCE)
  by Stadler, Matthew
• Ettore Spalletti: Henry Moore Institute.(Critical Essay)
  by Schwabsky, Barry
• Maurizio Vetrugno: Carbone. To.(Critical Essay)
  by Pasini, Francesca
• "Cut: Film as Found Object in Contemporary Video"; Milwaukee Art Museum.(Critical Essay)
  by Grabner, Michelle
• Monique Prieto: Cheim & Read.(Critical Essay)
  by Wilson, Michael
• A gesture and a pose: the cinema of Mikio Naruse.(Critical Essay)
  by Bock, Audie
• Circuit city: Tom Vanderbilt on pixelated architecture.
  by Vanderbilt, Tom