Picking apples. (From the Executive Director).(Editorial)
American Theatre, November, 2002 by Cameron, Ben
How do we develop new work in these new times? I hear frequent questions from new artistic leaders who wonder how and why play development programs are structured they way they are--and, indeed, whether these systems are optimally effective. Playwrights, too, are increasingly vocal on the subject: "Is a perceived decline in creative energy and loss of distinctiveness in writing the product of the uniformity of the development process?" one asked.
Another echoed the sentiment when he remarked, "I am always struck by how different we writers are as people, as ...
Read the rest of this article with a Free Trial at HighBeam Research.