No more clowning around: for vaudeville clown and mime artist Bill Irwin, writing serious plays means reaching into a new bag of tricks.
American Theatre, October, 2003 by Miller, Stuart
 | Content provided in partnership with |  |
[ILLUSTRATION OMITTED]
- Most Popular Articles in Arts
- Art since 1900: Modernism, Antimodernism, Postmodernism
- Free-standing cardboard sculpture
- What makes a successful business person? Business people who are tops in ...
- Take advantage of local advertising: TV, newspaper or magazines? If your ...
- Tino Sehgal at the ICA
- More »
Aman floats in the air, hovering for a moment, seemingly suspended between two worlds. He is attempting to leap from one to the other ... although he won't, can't completely let go of the first one. The man's home world is largely silent, an intensely physical place where his vocabulary is built on movement and his stories are told with body language and facial impressions. He's in total control there, a wizard who persuades his limbs and muscles to balance, stretch or move in ways we, his audience, never dream of. Yet as he reaches toward this next ...
Read the rest of this article with a Free Trial at HighBeam Research.Find Research Guides for:
Find Featured Titles for: Business
- Academy of Marketing Science Review
- Accounting Historians Journal, The
- Accounting History
- AgExporter
- Agricultural Research
- Agricultural and Resource Economics Review
- Air Force Comptroller
- Air Safety Week
- Airline Industry Information
- American Demographics
- American Journal of Potato Research
- Architectural Review, The
- Asian Economic News
- Entrepreneur