Editor's note.

American Theatre, March, 2005 by O; '; Quinn, Jim

Andre Gregory's Alice in Wonderland is one of those productions with a fat aura, a show that those who saw it (usually numbering in the few) treasure jealously in the memory, an event that over time has accumulated adjectives like "seminal" and "legendary." If, like me, you were otherwise engaged in 1970 and '71 (perhaps you lived in Arizona, or hadn't ever heard of Off-Off Broadway, or weren't born yet), you may feel a stab of envy when Todd London's captivating profile of Gregory at 70 turns to the subject of "the great delinquent lunacy" that was the Manhattan Project's Alice.

Critic and author Margaret Croyden was there. "The play was performed in a room that allowed only a hundred spectators, who entered through a 'hole' in the wall," Croyden...

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