C: International Contemporary Art

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Articles in Winter, 2008 issue of C: International Contemporary Art

• No typical donor: declining government support means it's a daunting new world for small Canadian arts organizations forced to compete with bigger institutions for sponsorship dollars. And yet private art philanthropy in Canada is on the upswing
  by Lydia Perovic
• To be seen and not just heard about: on a painting by Rae Johnson: Catherine MacTavish, who wrote about the Toronto artist Rae Johnson in the first issue of C, revisits her work 24 years later
  by Catherine MacTavish
• On Kristina Lee Podesva's colourschool: Michael Birchall looks at the Vancouver artist's ongoing experiment in art pedagogy—and puts it into the context of the wider trend
  by Michael Birchall
• Do curators need university curatorial programs? Gabrielle Moser on the professionalization of art curation in Canada today
  by Gabrielle Moser
• It's Time, Man. It Feels Imminent
  by Jesse McKee
• Mushroom Studio
  by Carolyn Tripp
• Back in 5: Accessing The Back Story
  by Rachelle Sawatsky
• Life on Mars
  by Earl Miller
• Convergence Center
  by Leah Modigliani
• Re: Eli Bornowsky's letter to the editor, C magazine issue #99
  by Sholem Krishtalka
• The state of art criticism and critical theory: Earl Miller investigates the "obscure subculture" of art writing, and speculates about the terms of its future relevance
  by Earl Miller
• Exhibitionism: Gregory Elgstrand looks at the concept of the "learning exhibition"
  by Gregory Elgstrand
• The Spectre and the Sphere
  by Leah Turner
• Desespere/Desperate
  by Jean-Michel Ross
• Art pedagogy
  by Rosemary Heather
• Enthusiasm at the limit: an event that deploys contemporary art and populism simultaneously, Nuit Blanche risks failure by either standard. Nicholas Brown on Jon Sasaki and Nuit Blanche
  by Nicholas Brown