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Articles in Winter, 2008 issue of C: International Contemporary Art
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No typical donor: declining government support means it's a daunting new world for small Canadian arts organizations forced to compete with bigger institutions for sponsorship dollars. And yet private art philanthropy in Canada is on the upswing
by Lydia Perovic -
To be seen and not just heard about: on a painting by Rae Johnson: Catherine MacTavish, who wrote about the Toronto artist Rae Johnson in the first issue of C, revisits her work 24 years later
by Catherine MacTavish -
On Kristina Lee Podesva's colourschool: Michael Birchall looks at the Vancouver artist's ongoing experiment in art pedagogyand puts it into the context of the wider trend
by Michael Birchall -
Do curators need university curatorial programs? Gabrielle Moser on the professionalization of art curation in Canada today
by Gabrielle Moser -
It's Time, Man. It Feels Imminent
by Jesse McKee -
Mushroom Studio
by Carolyn Tripp -
Back in 5: Accessing The Back Story
by Rachelle Sawatsky -
Life on Mars
by Earl Miller -
Convergence Center
by Leah Modigliani -
Re: Eli Bornowsky's letter to the editor, C magazine issue #99
by Sholem Krishtalka -
The state of art criticism and critical theory: Earl Miller investigates the "obscure subculture" of art writing, and speculates about the terms of its future relevance
by Earl Miller -
Exhibitionism: Gregory Elgstrand looks at the concept of the "learning exhibition"
by Gregory Elgstrand -
The Spectre and the Sphere
by Leah Turner -
Desespere/Desperate
by Jean-Michel Ross -
Art pedagogy
by Rosemary Heather -
Enthusiasm at the limit: an event that deploys contemporary art and populism simultaneously, Nuit Blanche risks failure by either standard. Nicholas Brown on Jon Sasaki and Nuit Blanche
by Nicholas Brown
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