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Articles in Autumn, 2008 issue of C: International Contemporary Art
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Art diasporas
by Rosemary Heather -
Bruce Conner, 1933-2008
by Jon Davies -
An institution is defined by its ability to ask questions … a report on the 2008 IKT congress in Montreal: renegotiating a critical curatorial practice in the face of new challenges
by Heather Anderson -
Between home and elsewhere: factoring in Brancusi, Cioran and Celan, Romanian artists have had an outsized influence on the modern world. Counting herself a member of this diaspora, Toronto curator Mona Filip reflects on the newest chapter of this history
by Mona Filip -
Global Canadians: as Earl Miller notes, leaving the country is something of a tradition for Canadian artists
by Earl Miller -
Artist Centrefold: United Nations, ISO 216
by Antonia Hirsch -
Orientalism and Ephemera
by Miriam Jordan -
Kevin Rodgers: the Mystics and the Passions
by Wojciech Olejnik -
The Dad Tapes/the Mom Photographs: Kim Waldron
by Jean-Michel Ross -
Glad the CIA is immoral: Jacob Wren on Lene Berg, an artist whose work makes unexpected connections between the CIA and globalism
by Jacob Wren - From Montreal to the world: Parachute Magazine1975-2006? Tammer El-Sheikh looks at the history of Parachute and talks with the magazine's editor, Chantal Pantbriand, about its future as a publicationand a brand
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From Beijing to Paris to San Francisco: Hou Hanru in conversation: currently Director of Exhibitions and Public Programs and Chair of the Exhibitions and Museum Studies program at the San Francisco Art Institute, the career of Chinese curator Hou Hanru ha
by Johan Lundh -
Otherwise unexplained fires: Joyce Wieland and the experimental film scene in 1960s New York: a fixture of New York's avant-garde film milieu in the 60s, Wieland's ultimate subject was Canada
by Anne Low -
John Abrams: Cinema Vernis
by Heidi Kellett -
Geoffrey Farmer: Forgetting Air/ Gareth Moore: As a Wild Boar Passes Water
by Nicholas Brown -
Martian Museum of Terrestrial Art
by Jesse McKee -
Take Your Time: Olafur Eliasson
by Leah Modigliani -
In regards to the review in C98 of Brice Marden
by Eli Bornowsky
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