'Il Gran Cardinale': Alessandro Farnese, Patron of the Arts. - book reviews

1. E. H. Gombrich, "'Icones Symbolicae': Philosophies of Symbolism and Their Bearing on Art," in Symbolic Images: Studies in the Art of the Renaissance (1972), Oxford, 1978, 123-95, 228-35, esp. 160-68.

2. Cited in Ignatius of Loyola, The Text of the Spiritual Exercises of Saint Ignatius, 5th ed., trans. J. Morris et al., London, 1952, x.

3. J. O'Malley, The First Jesuits, Cambridge, Mass., 1993, 17-18, 284-87, 303-6, 321-27, 369.

4. Ibid., 131.

5. Constitutiones Societatis Iesu, Anno 1558, London, 1838, 58.

6. C. Dempsey, "Mythic Inventions in Counter-Reformation Painting," in P. A. Ramsey, ed., Rome in the Renaissance: The City and the Myth, Binghamton, N.Y., 1982, 55-75.

7. G. A. Gilio, Dialogo degli errori de' pittori, in P. Barocchi, ed., Trattati d'arte del Cinquecento, 3 vols., Bari, 1960-62, II, 3-4.

8. Ignatius of Loyola (as in n. 2), 83.

9. Ibid. 84.

10. Cited in M. Fumaroli, L'Age de l'eloquence: Rhetorique et. "res literaria" de la Renaissance au seuil de l'epoque classique, Geneva, 1980, 146.

11. Monumenta Historica Societatis Iesu: Epistolae P. Hieronymi Nadal Societatis Iesu ab anno 1546 ad 1577, 4 vols., Madrid, 1898-1905, rv, 833-34.

12. Cited in M. Fumaroli, "Definition et description: Scolastique et rhetorique chez les jesuites des XVIe et XVIIe siecles," Travaux de linguistique et litterature, XVIII, 1980, 3748, esp. 38.

WALTER S. MELION Department of the History of Art The Johns Hopkins University Baltimore, Md. 21218

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