Art Journal

View more issues: Winter 1995, Summer 1995, Spring 1996

Articles in Fall 1995 issue of Art Journal

• Dear Rembrandt - revisionist art history - Artists' Pages
  by Ken Aptekar
• Art and visual culture - art history classes, Harvard University
  by Irene J. Winter
• Replacing the survey at Swarthmore - art history courses at Swarthmore College
  by Michael W. Cothren
• The 301 project - art history course
• Music in the survey course - art history
  by Peter L. Schmunk
• Gumbo Ya Ya: Anthology of Contemporary African-American Women Artists. - book reviews
  by Ann Lee Morgan
• Isamu Noguchi: Essays and Conversations. - book reviews
  by Diane Apostolos-Cappadona
• Rethinking the introductory art history survey - Editor's Statement - Editorial
  by Bradford R. Collins
• Feminist approaches to the survey - art history
  by Linnea Dietrich
• The making of History of Art 15 - introductory art history course at Berkeley
  by Svetlana Alpers
• Charisma and self-doubt in the western tradition
  by Romy Golan
• The one-minute paper - teaching art history
  by Brian D. Steele
• Art, Artifact, and Architecture Law. - book reviews
  by Richard Brilliant
• Origins of the art history survey text
  by Mitchell Schwarzer
• "Queacumque sunt vera?" - art history classes at Northwestern University
  by Hollis Clayson
• Discipline/survey - art history
  by Peter Bacon Hales
• Fitting writing into the survey
  by William E. Mierse
• The Photographs of Edouard Baldus: Landscapes and Monuments. - book reviews
  by William W. Clark
• Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self. - book reviews
  by Jennifer L. Shaw
• The future of art history and the undoing of the survey
  by Mark Miller Graham
• Waht matters in art history
  by Patricia Mathews
• "From Giotto to Jesse." - art history
  by Patricia Condon
• A collaborative learning/assessment model
  by Thomas E. Russo
• A Bitter Truth: Avant-Garde Art and the Great War. - book reviews
  by Dennis Crockett
• Dimensions of the Americas: Art and Social Change in Latin America and the United States. - book reviews
  by John Pitman Weber
• Reframes and refrains: artists rethink art history - Artists' Pages
  by Gerald Silk
• Surveying the field: artists make art history
  by Peter Bacon Hales
• Parallel art history/studio program
  by James Elkins
• A cross-cultural approach - art history
  by Joanne E. Sowell
• The optional seminar - teaching art history
  by Jean Owens Schaefer
• The Power of Feminist Art: The American Movement of the 1970s, History and Impact. - book reviews
  by Ann Lee Morgan
• Isamu Noguchi. - book reviews
  by Bert Winther