"Image ethics" in and about Africa

African Arts, Summer, 2008 by Allen F. Roberts

How can such opportunities be maximized? Africanists have certainly worked with African colleagues to find ways for them to present their own visual epistemologies. Here the research of Godfrey Muriuki and Neal Sobania (2007) comes to mind, as they explicate and "repatriate" stereoscopic views of Kikuyu people, sharing them with descendants of the important turn-of-the-twentieth-century chief Wambugu wa Mathangani. Notable efforts also include a traveling exhibition of photographic portraits organized by Corinne Kratz (2002) from images taken over the years of her research in northern Kenya. Collaborating closely with Okiek counterparts, she chose and explained what the pictures reveal through English, Swahili, and Okiek captions. Still, there are distances to go and things to do, as examples of image ethics and visual repatriation from non-African activities suggest. To reiterate, then, this "First Word" may not be "first," since others have considered these subjects, nor is it "last," as any definitive statement about what can or should be done; rather, it is a call to conversation. The "Dialogue" feature of African Arts awaits your ideas and examples!

References

Aird, Michael. 2003. "Growing Up With Aborigines." In Photography's Other Histories, eds. C. Pinney and N. Peterson, pp. 23-39. Durham: Duke University Press.

Banks, Marcus. 2001. Visual Methods in Social Research. London: Sage

Batchen, Geoffrey. 2002. Each Wild Idea: Writing, Photography, History. Cambridge MA: MIT Press.

Behrend, Heike. 2002. "I Am Like a Movie Star in My Street': Photographic Self-Creation in Postcolonial Kenya" In Postcolonial Subjectivities in Africa, ed. R. Werbner, pp. 44-62. New York: Zed Books.

Bell, Joshua. 2006. "Losing the Forest but not the Stories in the Trees." The Journal of Pacific History 41 (2):191 206.

Canal, Gemma. 2004. "Photography in the Field: Word and Image in Ethnographic Research." In Working Images: Visual Research and Representation in Ethnography, eds. S. Pink, L. Kurti, and A. Afonso, pp. 31-46. New York: Routledge.

Chapuis, Frederique. 1999. "'[he Pioneers of St. Louis" [Senegal]. In The Revue Noire Anthology of African and Indian Ocean Photography, eds. P.-M. Saint Leon and N'Gone Fall, pp. 48-67. Paris: Eds. Revue Noire.

Clifford, James. 2002. "The Others: Beyond the 'Salvage' Paradigm." In The Third Text Reader, eds. R. Araeen, S. Cubitt, and Z. Sardar, pp. 160-65. New York: Continuum.

Driessens, Jo-Anne. 2003. "Relating to Photographs." In Photography's Other Histories, eds. C. Pinney and N. Peterson, pp. 17-22. Durham: Duke University Press.

Edwards, Elizabeth. 200l. Raw Histories: Photographs, Anthropology and Museums. New York: Berg.

Fabian, Johannes. 2007. "Forgetting Africa." In Memory Against Culture: Arguments and Reminders by J. Fabian, pp. 65-76. Durham: Duke University Press.

Geary, Christraud. 2002. In and Out of Focus: Images from Central Africa, 1885-1960. London: Philip Wilson Publishers, for the Smithsonian Institution's National Museum of African Art, Washington DC.

 

BNET TalkbackShare your ideas and expertise on this topic

Please add your comment:

  1. You are currently: a Guest |
  2.  

Basic HTML tags that work in comments are: bold (<b></b>), italic (<i></i>), underline (<u></u>), and hyperlink (<a href></a)

advertisement
Click Here
advertisement
  • Click Here
  • Click Here
  • Click Here
advertisement

Content provided in partnership with Thompson Gale