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Articles in Nov, 2004 issue of Post

• Singapore: a hub for digital cinema
  by Claudia Kienzle
• BBC Motion Gallery's commitment to HD
• V.5 of Acid Pro music creation tool available
• 4 Stroke starts its engine
  by Randi Altman
• OceanFootage.com
• Eventide shows Pro Tools TDM plug-in
• Camden posts Love Machine
  by Marc Loftus
• Stocking up: while many stock houses are now shooting and transferring footage in high def, others are waiting for demand to increase
  by Christine Bunish
• Britney Spears: My Prerogative
• Taking a BlueFish SD Envy for a test swim
  by Randall Simpson
• Pretty Woman dominates Lee's latest ad
• Muse: Hysteria
• Refinery cuts Hamptons Film Festival trailer
• Head Gear sets the tone for PBS Kids Go!
• Euphonix's MC Intelligent Application Controller
• Lexicon Pro intros $299 Omega Studio
• Getting on board the PCI express
  by Randall G. Simpson
• Jessica Simpson: Angels
• Malcolm Jamieson
• Composer takes minimalist approach
• Animax succeeds in a Flash: not just well drawn, these characters are well written, too
  by Ken McGorry
• Sony Pictures
• Phill Scholes, Thomas Jensen
• Democratization continues
  by Marc Loftus
• The art of compositing: How different techniques open doors to the unknown
  by Ann Fisher
• Riding The Polar Express to a digital pipeline: Sony Pictures Imageworks' first full-length animated feature takes advantage of mocap and IMAX 3D
  by Daniel Restuccio
• Custom compositions: original scores are being used in spots, TV shows, indie films and videogames
  by Christine Bunish
• Adam Schadle
• Framepool
• Evolve establishes New Screen Broadcasting's on-air ID
• Inphase's holographic storage solution
  by Marc Loftus
• If you add HD, they will come
• Blank & Jones: Perfect Silence
• Convergence gets a slice of Pie
  by Marc Loftus
• Saving a Demon on DVD: CustomFlix helps give a horror story a happy ending
  by Ken McGorry
• Music videos: shrinking budgets and long hours don't scare post pros away from these "short films."
  by Matthew Armstrong
• Stewart Sound plans for the future: this Orange County studio is designing sounds for a high definition world
  by Mike Joseph
• Carol Jazwinski