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Articles in July, 2005 issue of Post

• Digital Dimension's VFX for Mr. & Mrs. Smith
• Audio for animation: today's audio post pros look to escape predictable cartoon cliches
  by David John Farinella
• Bionic Media relocates, adds talent
• Stock Imagery directory
• Componentized MAM
  by Robert R. Yamashita
• O.T. Hight, Randy Beveridge
• Home NYC completes Hanes package
• Graphics plug-ins: what's new for SIGGRAPH?
  by Christine Bunish
• Davey & Goliath returns on DVD
  by Marc Loftus
• Mark Spatny
• Facilis's TerraBlock V.1.4
• The Orphanage finishes work on Shark Boy and Lava Girl
• Animation for TV shows: know your audience, know your vendors, update your pipeline
  by Ann Fisher
• Digital intermediates: solving the dilemma of color management
  by Claudia Kienzle
• HP's xw4300 entry-level workstation
• Andrea Marcucci
• Rainmaker Animation & Visual Effects launches
• Premier listing
• Massive improves digital crowd/stunt software
• ScheduAll V.4.46
• Antony Collins
• This summer's Forecast: busy
  by Randi Altman
• 2005 Ad
  by John Gaudiosi
• Anvel Photoshop and After Effects training
  by Tim Kolb
• Miguel Oldenburg
• Virtual product placement on the rise
  by Christine Bunish
• Printing made easy
• DVD vets start Giant new venture
  by Randi Altman
• Endorphin 2.5 for 3D character animation
• Riot Atlanta opens three Fairlight-based audio post suites
• This means war: to bring Spielberg's monstrous CG tripods to the screen, ILM artists first picked up pencil and paper
  by Ken McGorry
• One fine hotel
• Kodak helps AICP salute special spots commercials are still, mostly, shot on film
  by Ken McGorry
• Embracing digital effects
  by Randi Altman
• The sound of chocolate: this remake of the classic Willie Wonka tale features audio post from Soundelux in London
  by Bob Pank
• Immediate branding
• New York Cine Equipment Show coming this September
• Console monitoring
  by Marc Loftus
• Swinging away for Izod: making a colorful splash in men's golf shirts with a first-time director and without an agency
  by Ken McGorry
• Impossible touchdown