Agents Who Make Bank

Deal makers nurture the careers of popular black authors and more

There just aren't enough book deals. Every writer won't get one. Plus, authors lack the time, credibility, contacts, and industry knowledge to successfully land good contracts at publishing houses all on their own.

Enter the literary agent--Brita filters who present the strongest material for publication and make the best deals. They are negotiations, accountants, and, oftentimes, editors. Because most major publishing houses won't review unagented submissions, literary agents are taste makers with a tremendous, often underestimated, impact upon what books get published. Literary agents are cultural agents.

Recognizing the importance of literary agents, Black Issues Book Review interviewed some of the people who have shepherded the books that have entertained, educated, and inspired us. The books we cherish are diverse and vibrant, and so are the agents behind them.

Marie Brown

Developing creativity in authors

The publishing community perhaps best knows Marie Brown for the rigorous editorial attention she provides clients, especially new writers. Brown admits that even more than "getting the deal," she cherishes "working creatively and developmentally with the authors."

It's no wonder this agent entered the business at the behest of authors. "At the time [early 1980s], the industry was shifting drastically, no longer accepting unsolicited manuscripts, thus creating a market for agents. There were people saying, `Please, please be my agent,'" she recalls. The veteran Doubleday/Anchor books senior editor launched the New York-based Marie Brown and Associates in 1984.

Pitching books to a predominately white editorial community is difficult. "My experience as an African American far exceeds that of anyone who makes publishing decisions about this market. To have to wait for the imprimatur of such individuals is my major challenge," she laments.

The future of Marie Brown & Associates lay with the associates. Says associate Janell Walden Agyeman, "I try to pass the baton of agenting onto others, whether they work for me or for other agencies."

Some of your favorite authors represented by Marie Brown: Dr. Johnetta B. Cole, Beverly Guy-Shefftal, Randall Robinson, Susan Taylor, Van Whitfield.

Faith Childs

Promoting literary merit

"I do what I like and what I like is very often literary fiction, serious nonfiction, and literary nonfiction. I do some commercial fiction as well--when there is a message in it," says industry juggernaut Faith Childs.

Since establishing the New York-based Faith Childs Literary Agency, Childs has been intellectually uncompromising within anoften superficial publishing culture. "[My largest challenge] is trying to convince editors in a market-driven economy that work with literary merit has value," she admits.

Childs' client list is as inclusive as her reading is expansive. "I read everything. I am very well read in the classics, read a lot of history--not just American, but African, European, and social science. I don't just represent black writers; I don't just read black works."

An intellectual maverick, Childs has represented many provocative projects, including lames Ridgeway and Sylvia Plachy's controversial Red Light: Inside the Sex Industry. "I feel that in many ways that I'm perpendicular to the culture, i.e., that my ideas are neither traditional nor conventional. When I convince someone to put in print something that is not popular or the most facile explanation of events, I've accomplished something."

Some of your favorite authors represented by Faith Childs: Benilde Little, Paule Marshall, Valerie Wilson Wesley, Ralph Wiley.

Denise Stinson

Selling a passion for letters

"Agenting is a sales profession. People don't realize that we are salespeople. We must consider those aspects of a book we can pitch and whether it can sell," insists Denise Stinson. Stinson's impressive client list is a result of her shrewd business sense. It's also reflective of her passion for letters. "[My favorite aspect of being an agent] is selling someone's project who had written it for the sheer joy of writing, someone who is not writing because they think they'll be the next whomever, make a million dollars, or become a bestseller--just someone who enjoys the process of writing." Stinson notes the joy of selling Pearl Cleage's--Oprah's Book Club novel, What Looks Like Crazy On An Ordinary Day. "She was so genuinely pleased that a publisher and other people found her novel valuable," Stinson gushes.

Stinson's Stinson Literary Agency is a geographic rebel. Though the publishing industry is New York-based, Stinson's Bloomfield Hills, Michigan, agency is one of the nation's most accomplished. "The fact that I am not [in New York] has opened me up to different voices and made it possible for those voices to be published."

Some of your favorite authors represented by Denise Stinson: Pearl Cleage, Queen Latifah, Omar Tyree, Iyanla Vanzant