Arts Publications
Topic: RSS FeedOpen House: of Family, Friends, Food, Piano Lessons, and the Search for a Room of My Own
Black Issues Book Review, Nov-Dec, 2004 by Denolyn Carroll
Open House: Of Family, Friends, Food, Piano Lessons, and the Search for a Room of My Own by Patricia J. Williams Farrar, Straus & Giroux, November 2004 $24., ISBN 0-374-11407-2
Williams, a professor of law at Columbia University, is one of only a few writers who can engage me in reading about race, gender and other critical social, political and legal issues without making me feel as if I were embroiled in academia at its most uninspiring.
In her fourth book, Open House: Of Family, Friends, Food, Piano Lessons, and the Search for a Room of My Own, Williams, a 2000 MacArthur Fellowship recipient (a.k.a. the "genius grant"), invites readers into a series of candid accounts, informed by her own personal and family histories. From "The Fourth Wall," to "The Outhouse" "The Kitchen" "The Boudoir," "The Music Room," "The Pool Room," "The Crystal Stair" and "The Dusty Parlor," the writer engages our sensibilities with provocative comments on issues that affect us on personal and societal levels.
We learn, for example, of the author's Aunt Mary, who in deciding to "pass," "became an early pioneer of 'don't ask, don't tell' assimilatinnism...." Williams also asserts that "the general paradox of African Americans' attempts to render ourselves mainstream is that the very rituals of proving that we are 'just like' the girl next door are themselves the proof of our marginality." She mentions/discusses such African American personages as Muhammad Ali, Halle Berry, Michael Jackson, Sidney Poitier, Chris Rock, Will Smith, Denzel Washington and Oprah Winfrey. These are in the context of "the subtle configurations of racial imagery that permeate the American landscape of great, if idiosyncratic, celebrity," and, by implication, the ways in which these patterns highlight the nuances of our day-to-day interactions.
"All of us," she notes, "have experienced the contradictory categorization by which the appearance of one of us is a marvel, two of us a miracle, three a mission accomplished, and four--hey, time to sell."
Williams's down-to-earth storytelling style, peppered with humor, makes her witty and insightful points accessible and entertaining. Author of The Alchemy of Race and Rights: A Diary of a Law Professor, The Rooster's Egg: On the Persistence of Prejudice and Seeing a Color-Blind Future: The Paradox of Race, she also writes a regular column for The Nation, and is a regular columnist for Ms. Magazine and The Village Voice. Williams welcomes and deserves our ear.
Most Recent Arts Articles
- Slumdog comprador: coming to terms with the Slumdog phenomenon
- Still mining his Winnipeg: an interview with Guy Maddin
- It doesn't seem 'Canadian': quality television' and Canadian-American co-productions
- Second city or second country? The question of Canadian identity in SCTV'S transcultural text
- Hop on pop: jiangshi films in a transnational context
Most Recent Arts Publications
Most Popular Arts Articles
- What makes a successful business person? Business people who are tops in their field have a lot in common, and art professionals can learn a lot from their successes and strategies
- It's urban, it's real, but is this literature? Controversy rages over a new genre whose sales are headed off the charts
- The Arnolfini double portrait: a simple solution
- The Horn identity: by day, Justin, Murdock is one of L.A.'s flashiest bachelors. By bight, he's Eliphas Horn, Goth antihero. (Eye).
- An Occasion of Sin


