Apollo

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Articles in July, 2004 issue of Apollo

• Centre Pompidou
  by Samson Spanier
• II Mobile Rococo in Italia. Arredi e decoratzioni d'interni dal 1738 al 1775
  by James Yorke
• Register of British art & antique dealers
• Education in historic buildings
  by Samson Spanier
• News from New York: New Yorkers toast their newest export to London, and Katharine Hepburn's wedding dress goes on the block
  by Louise Nicholson
• Enlightened royal patronage: an exhibition at the Queen's Gallery, London, reveals the full extent of the artistic patronage of George III and Queen Charlotte
  by Charles Cator
• The Fine Art Society
  by Susannah Woolmer
• Register of specialist consultants and valuers
• Levitan and the silver birch
  by Averil King
• Market preview: with a newly discovered Raphael drawing and a newly attributed Vermeer painting, July in London is an intriguing coda to June's bonanza
  by Susan Moore
• Bloomsbury Auctions
  by Samson Spanier
• Frost & Reed
  by Susannah Woolmer
• Register of international shippers of art & antiques
• The commodification of art
  by John Henry Merryman
• Market review: Asian art out-performs its estimates, while fine Antique bronzes foretell a return to lucrative form
  by Susan Moore
• Never mind the art, feel the money
  by Michael Hall
• The Reformation of the Image
  by Margaret Aston
• Master drawings in London 3-9 July 2004
• Sainsbury Wing
  by Samson Spanier
• Innovating through imitation: Pairing Picasso with Ingres may sound unlikely but as David Platzer discovers in an exhibition which has just moved from Paris to the Musee Ingres in Montauban, Picasso's admiration for the master of academic art was profound
  by David Platzer
• Welsh museums
  by Samson Spanier
• The Satirical Gaze: Prints of Women in Late Eighteenth-Century England
  by David Alexander
• Register of international art & antique dealers
• British Museum
  by Samson Spanier
• When an owner gives up: Lord Hesketh has decided to sell Easton Neston, his family seat designed by Hawksmoor. Should we care?
  by Gavin Stamp
• Baselitz turns heads: Ute Ballay visits Bonn's major retropective of Germany's most celebrated contemporary artist
  by Ute Ballay
• Workplace Art
  by Susannah Woolmer
• C.R.W. Nevinson: the modern artist of modern war: during Nevinson's career as a war artist in 1914-18, his paintings changed dramatically in style. As Michael Walsh explains, his Futurist canvases of the early part of World War 1 were much admired. It was
  by Michael Walsh
• 'Dashanzi' arts festival
  by Samson Spanier
• The London Silver Vaults
  by Susannah Woolmer
• Register of conservators & restorers of art & antiques
• Sight unseen: vision and perception in Leonardo's Madonnas: in the first of two articles on Leonardo da Vinci, Larry J. Feinberg explains how the artist's interest in the way the eyes work influenced his realistic depictions of the Christ Child as a baby
  by Larry J. Feinberg
• Master drawings: in a patchy but stable market, specialists vary in their opinions about the allure of provenance and attribution, but all agree that quality is paramount
  by Susannah Woolmer
• 10 to catch: Apollo's selection for the month ahead
• Rembrandt's Jews
  by Samson Spanier
• Register of international auctioneers of art & antiques
• Dumfries House
  by Samson Spanier
• Art of the well-mannered garden: with too many cliched images, Tate Britain's exhibition on the garden in art is a lost opportunity
  by Tim Richardson
• Courtauld Institute of Art
  by Samson Spanier
• Goldsmiths' Hall
  by Susannah Woolmer
• Register of international picture framers
• A newly discovered Elizabethan pocket sundial: Helen Turner describes a remarkable scientific instrument unearthed in a Lincolnshire field, Signed and dated 1585, it is the work of a loading London maker, Augustine Ryther, and its original owner can be id
  by Helen Turner
• La vie en rose: the May 1972 issue contained a seventy-fifth birthday tribute by Denys Sutton to Sir Sacheverell Sitwell, celebrating his pioneering appreciation of baroque and rococo art
  by Denys Sutton
• Giorgione: Myth and Enigma: a searching exhibition, which has moved from Venice to Vienna, enables Giorgione's achievement to be understood with greater clarity than ever before
  by Paul Holberton
• Chris Beetles Ltd
  by Susannah Woolmer
• Register of international insurance brokers for art & antiques
• Andrea del Sarto's monsters: the Madonna of the Harpies and human-animal hybrids in the renaissance
  by Simona Cohen
• In August 1982, the novelist Anthony Powell recalled the painter Edward Burra
  by Anthony Powell