Apollo

View more issues: Feb 2005, March 2005, May 2005

Articles in April 2005 issue of Apollo

• Ribera: L'opera completa
  by Justus Lange
• Very mixed media: Tate Modern has presented Joseph Beuys with clarity, but, asks Samson Spanier, how can any museum exhibit an artist whose work includes a 7000-tree forest?
  by Samson Spanier
• Gold, silver and bronze: British auctions in April win all the prizes, from a superlative Christopher Dresser collection selling in Edinburgh to renaissance medals and Iznik in London
  by Susan Moore
• Best sellers Thames & Hudson
• The European Fine Art Fair at Maastricht was full of remarkable discoveries—but Cologne's art fair is squaring up to take some market share for itself
  by Samson Spanier
• Impressionism: Paint and Politics
  by Christopher Riopelle
• 2005: the year of the artist's muse
  by Michael Hall
• Germs: A Memoir of Childhood
• Revolution in glass: Harry Powell, designer of the most celebrated Arts and Crafts glass, was deeply influenced by the mid-nineteenth-century movement to reform the design of English glassware, As Andy McConnell explains, this began with Ruskin's violent
  by Andy McConnell
• 10 to catch: Apollo's selection for the month ahead
• Around the galleries: London assumes a distinctly twentieth-century flavour this April with post-War abstraction, arts and crafts furniture and art-deco silverware on show
  by Susannah Woolmer
• The Armory fair has grown since modest beginnings in 1994 into a mainstay of the city's art industry. Louise Nicholson is inspired—and exhausted
  by Louise Nicholson
• Exhibiting at the London Original Print Fair
• Gravetye Manor: home of the Robinsonian garden: Judith B. Tankard explores the legacy of William Robinson, a key proponent of Arts and Crafts ideals in gardening. His work at his own home, Gravetye Manor in Sussex, is recorded by the artists with whom he
  by Judith B. Tankard
• Old Master prints: the eve of the London Print Fair is an appropriate moment to look at the Old Master print market: despite the reduced supply of the finest prints there are still great opportunities for imaginative print collecting
  by David Alexander
• A truly British movement: to introduce Apollo's special number devoted to the Arts and Crafts, Peter Cormack explores the movement's national identity and questions the internationalism of the exhibitions currently at the Victoria and Albert Museum and th
  by Peter Cormack
• Byzantium in Berkshire: fresh information on Sir Edwin Lutyens's first mausoleum, the Hannen columbarium at St Mary, Wargrave, Berkshire, is provided by correspondence published here for the first time by Oliver Bradbury. This small masterpiece shows Luty
  by Oliver Bradbury
• Seduced by Circe
• 1884 and the arts and crafts movement: the Arts and Crafts movement was shaped by a range of radical developments in politics and belief, Alan Powers examines their significance during the year in which the Art Workers Guild was founded, showing how the m
  by Alan Powers
• Droit de suite
  by Anthony Browne
• Transcribing antiquity: Peter Howell reviews the latest volumes in one of the great scholarly publishing ventures of the day: the catalogue of Cassiano dal Pozzo's 'Paper Museum'
  by Peter Howell
• Gleams of gold: the Fortunoff collection of paintings by Joseph Southall, currently on show at the Fine Art Society, London, is a comprehensive reminder of the talent of one of the few true Arts and Crafts painters
  by Charlotte Gere
• Power and darkness: the exhibition of Caravaggio's late works at the National Gallery, London, challenges the public's expectations of this popular artist, and should provoke historians to new insights into a neglected phase of his career
  by Sheila McTighe
• Episcopal dog house?
  by Gavin Stamp
• In pursuit of Fra Carnevale: Susannah Woolmer follows the detective trail laid out in the Metropolitan Museum of Art's rewarding investigation into a mysterious renaissance artist
  by Susannah Woolmer
• Authentic Arts and Crafts: the legacy of William Morris and his circle is as relevant as ever, yet the only English Arts and Crafts interiors to have survived completely intact are now under threat
  by Gavin Stamp
• Painting in Late Medieval and Rennaisance Siena
  by Helen Geddes
• Three varieties of indistinctness: a beautifully displayed exhibition at Tate Britain explores the connections between Turner, Whistler and Monet, but does it do so thoroughly enough
  by Eric Shanes
• An artist's reflections: Peyton Skipwith finds a sensitive but cynical outsider in a substantial exhibition of William Orpen's scintillatingly virtuoso paintings
  by Peyton Skipwith
• The capital is intending to establish a major exhibition space for photography. Samson Spanier asked the key players what they would put in it
  by Samson Spanier