Apollo

View more issues:

Articles in Sept, 2005 issue of Apollo

• A National Trust for Ireland
  by Michael Hall
• Digging deep: William Laffan praises an absorbing study of a group of eighteenth-century Irish landscape gardens that illuminatingly unravels their many meanings
  by William Laffan
• Gleams of steel and silver: the opening of a sparkling new Metalwork Gallery display in the Millennium Galleries in Sheffield is the latest manifestation of the revitaJisation of the city's museums, Philippa Glanville discusses the gallery and explains ho
  by Philippa Glanville
• Northern Nocturnes, Swedish prints, Irish neo-classical paintings and furniture, and vibrant contemporary art can be found in Ireland this autumn
  by Nigel McKinley
• Newly discovered Italian sculptures
  by Susan Moore
• Paris was once the artistic capital of the world—but, asks Samson Spaniel, can it maintain its status as an international player?
  by Samson Spaniel
• From an imaginatively restored Victorian square to a floating garden, Louise Nicholson revels in Manhattan's rus in urbe
  by Louise Nicholson
• Irish furniture 1740-1800: the Knight of Glin, Desmond FitzGerald, recalls how his interest in Irish furniture developed when he was working at the Victoria and Albert Museum, and reviews the slow return to fashion—and appreciation in value—of I
  by Desmond FitzGerald
• Cosmopolitan commerce: the Dublin goldsmith Robert Calderwood: in the first detailed reconstruction of the career of one of Ireland's leading eighteenth-century goldsmiths, Alison FitzGerald reveals a spirited, well-connected and highly successful entrepr
  by Alison FitzGerald
• Penguin by Design: A Cover Story 1935-2005
  by Alan Powers
• A castle at the cutting edge
  by Gemma Tipton
• Around the galleries: medieval manuscripts and a rare Titian cause a stir in Paris, Mexico comes to life in New York and photography in London focuses on gender
  by Susannah Glynn
• Other fairs this month—and a choice show in Maastricht
  by Susan Moore
• Out with the old: Nottingham survived the 1960s with much of its finest architecture surprisingly intact. So why, despite paying lip-service to conservation, is the council demonstrating such indifference to the city's historic buildings?
• A Titan for temple Newsam? The Earl of Halifax's Titian portrait, now on the market for a reputed 50 million [pounds sterling], seems likely to leave the UK—but it could perhaps find a home in Yorkshire
• Hell and afterwards: prints by Otto Dix and Max Beckmann depicting World War and its aftermath make a powerful, unsettling exhibition at the Neue Galerie in New York
  by David Platzer
• Victorians and the Prehistoric: Tracks to a Lost World
  by Michael Hall
• Drama at Arles new light on Van Gogh's self-mutilation
  by Martin Bailey
• 10 to catch: Apollo's selection for the month ahead
• As good as it gets: London defied fears of summer lethargy in the market when its July sales achieved high prices in every field—including new records for Canaletto and Chinese porcelain
  by Susan Moore
• Cotman's arcadian dreamland: a large display of some of John Sell Cotman's finest watercolours, shown at the Bowes Museum in the summer, has just opened at Harewood House, Together with a related book, it brings the artist's arrival at creative maturity i
  by Eric Shanes
• Pantheons: Transformations of a Monumental Idea
  by Peter Howell
• Museums are now honest about conservation issues
  by Michael Dale
• Michael Dillon, muralist: in the first of a new monthly series on contemporary decorative arts, Amicia de Moubray talks to Ireland's most celebrated muralist, who explains why he hates being compared with Rex Whistler
  by Amicia de Moubray
• Look at me: Tate Modern seeks to demonstrate the full cultural and political significance of Frida Kahlo—but ultimately her work is essentially personal
  by Susannah Woolmer
• Taking risks side-by-side: Pissarro and Cezanne were close friends for twenty years. Their relationship is examined in an exhibition at the Museum of Modern Art, New York, curated by Joachim Pissarro, who talked to Louise Nicholson about its purposes
  by Louise Nicholson
• The Medieval Stained Glass of Wells Cathedral
  by Madeline H. Caviness
• Making an entrance at the National Gallery
  by Charles Saumarez Smith
• Writhing, bulging, burgeoning, blossoming: Dale Chihuly's spectacular glass sculptures have happily taken root at Kew Gardens
  by Tim Richardson