Learning with Jazz: The rich rhythms and stories in music ignite kids to read, write, sing, and soar!

Instructor, Jan-Feb, 2002 by Lucille Renwick

Walk through the halls of Washington Rose Elementary School in Long Island, New York, and you find yourself enveloped by the sights and sounds of jazz. Pictures of famous jazz artists and time lines chronicling the evolution of jazz adorn the walls. The strains of jazz flow from Faye Nelson's second-grade classroom, where it's played from the moment the students walk in the door until they leave at the end of the day.

Teachers at Washington Rose, along with others in two Pemberville, Ohio, elementary schools, and in a Harrisburg, Pennsylvania-area elementary school, are proving that teaching jazz music and its history is no longer limited to the music curriculum. Standards-based lessons in language arts, social studies, and even science can spring from this unique American music form.

The use of jazz in each of the three schools began with a similar two-part goal: to enrich standard curricula and to raise students' understanding and appreciation of a music form widely recognized for its rich cultural heritage rooted in the African-American experience. Each found success in various ways: student confidence soared; student interest increased; and, in some cases, student achievement improved. Many of the teachers noted an added benefit--their students came to appreciate the influence of jazz on the music they listen to, such as pop, rock, and hip-hop.

In each school, teachers presented lessons focusing on different jazz artists and/or different types of jazz music--blues, be-bop, swing, Dixieland, New Orleans jazz. They matched a book about a jazz musician with that artist's music to give their students a multisensory experience with the artist and his work. The teachers usually followed these lessons with activities such as theatrical performances and art projects.

"The children are challenged in so many different ways ... but they're not intimidated by the work because they're so excited," said Paulette Taylor, a first grade teacher at Washington Rose.

Geographial Jazz

Students at Washington Rose Elementary have been studying jazz and its origins for the past three years as part of a pilot program called "Jazz Sampler." The "Jazz Sampler" project is a joint venture between Washington Rose Elementary and a Long Island-based non-profit organization called "Friends of the Arts." The program was developed to provide teachers with art- and literacy-based activities that meet New York State standards, and which they could incorporate into their lessons as they saw fit. It was also an effort to expose the predominantly African-American student body to another part of black history.

Each year of the project has focused on a different type of jazz; this year it is Latin Jazz. The project stresses literacy, but has also focused on social studies, geography, and science. For example, during a recent social studies lesson, Nelson's second graders learned how, during slavery, African drums were brought from Africa to many Caribbean and Latin American countries. Slaves played the drums to send messages. The drums remained an important part of the culture after slavery ended and, over time, influenced the music of the region. Today, drums are widely used throughout much of Latin music, including Latin jazz music. (Just try to imagine Desi Arnaz without his famous conga drums!)

Nelson builds on what students have learned by using the story of the drums in a geography lesson. On a world map, she has students trace the trail of the drums from Africa to the various Caribbean and Latin American countries. Then, covering the names of the countries on the map, Nelson hands each student a photocopy of the outlines of the countries and asks them to name as many as they can. Students craft stories about the country they would go to if they were a drum, and draw pictures of what their drums might look like.

"These lessons have helped them explore history in a way that really excites them and hooks them in," says Nelson. "Sometimes they even do more than I ask them because they're so intrigued with what they're learning."

Jazzed-Up Reading

Kathleen Hahn, a Title One reading teacher of first through fourth graders in Pemberville, Ohio, incorporated her own love of jazz into an annual reading week at two elementary schools.

"I thought it would be a lot of fun to listen to jazz, to read about jazz, and [to] learn about Mardi Gras," says Hahn. "I thought the children would love it."

To prepare for the week, Hahn scoured the jazz sections of bookstores, finding dozens of helpful children's and informational books. (See book list at right.) She wrote a letter asking parents to sign a list of tasks children promised to complete, such as reading a certain book or finishing a research project. Kids received a strand of Mardi Gras beads for completing assignments.

For several mornings before the reading week, Hahn and her colleagues played 15 minutes of jazz over the school's loudspeaker so students could develop an ear for it. During the week, teachers read picture books about a particular artist and played his or her music. Then, teachers showed snippets from videos on the artist and followed with a writing or comprehension lesson.