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Articles in Nov, 2004 issue of Dance Magazine

• A moveable epic
  by Martha Ullman West
• Williamsburg Art Nexus
• After a pitched battle with the city's arts groups
• Advice for dancers: former New York City Ballet dancer Linda Hamilton, Ph.D., is a lecturer, a psychologist in private practice, and the author of Advice for Dancers . She has been offering advice to Dance Magazine readers since 1992
  by Linda Hamilton
• Kaitlyn Gilliland: she's a throwback to the heyday of Balanchine ballerinas
  by Joseph Carman
• Clive Barnes, DM's senior consulting editor, married Valerie Taylor, former soloist with The Royal Ballet who currently teaches at Marymount College, on July 24
• Curtain up
  by Wendy Perron
• Boston Ballet
• Former National Ballet of Canada principal Veronica Tennant was awarded the $30,000 Walter Carsen Prize
• The studio that never sleeps
  by Jessie Male
• Get a leg up: top tights
  by Suzanne Palazzo
• Carlos Molina arrives at Boston Ballet
• Gold mine
  by Francis J. Roach
• San Francisco Ballet
• Dancer Mikhail Baryshnikov and the Brooklyn Academy of Music will each receive the Jerome Robbins Prize
• Spoleto Festival USA
• Mixed emotions
  by John Rockwell
• The Ashton Celebration
  by Joseph Carman
• Jacob's Pillow magic
  by Ani Raymond
• L.A. report: the language of curves
  by Victoria Looseleaf
• Limon Dance Company
• Los Angeles County Arts Commission
• Fagan's winning ways
  by Eva Yaa Asantewaa
• Everything under the sun: studying dance at UCLA
  by Taisha Paggett
• Phillip Broomhead
• Tell us about it
  by Mary Heller
• Jazz dancers jam Latin style
  by Heather Wisner
• Malonga Casquelourd Center for the Arts
• Pennsylvania Ballet
• Dancing through the dark: Pina Bausch finds a ray of light
  by Rita Felciano
• On broadway: high fliers: broadway shows are taking off-literally. The Frank Wildhorn musical Dracula is the latest to make audiences gasp with its aerial choreography
  by Sylviane Gold
• Schools, studios, colleges, universities, companies, teachers, dancers, choreographers, somatic practices, movement arts, dance medicine, yoga
• Corrections
• Alexei Ratmansky and the new Bolshoi
  by Margaret Willis
• Tbilisi Opera Ballet
• Hubbard Street 2 has chosen Steve Rooks, Johannes Wieland, and D.A. Hoskins
• A close embrace
  by Brian Hajjar
• Jerome Robbins: his life, his theater, his dance
  by Doris Hering
• Deaths
• Journal fantastique
  by Alice Stock
• Ballet West
• Liz Lerman Dance Exchange
• Celebrating Meredith
  by Amanda Smith
• Less Balanchine: Terry Orr recasts Pittsburgh Ballet
  by Karen Dacko
• American Ballet Theatre
  by Roslyn Sulcas
• Dance scape: dance images past and present
  by Joshua Weiner
• Onwards and upwards
  by David Hicks
• Pittsburgh Ballet Theatre
• BAX/Brooklyn Arts Exchange
• Movin' in
  by Wendy Perron
• Blame it on the bossa nova: Tapper Cintia Chamecki brings the rhythms of her native Brazil to a playful new fusion
  by Karen Hildebrand
• American Dance Festival
  by Byron Woods
• Attitudes
  by Clive Barnes
• Naked in the presence of his enemies
  by Michael Seaver
• Suzanne Farrell Ballet
• California Arts Council
• In a holding pattern? Try these yogas
  by Linda Sparrowe
• Teacher's wisdom: Alfredo Corvino
  by Joseph Carman
• Melanie Skinner, Alexandro Dickson, and Paul Gibson retired from Pacific Northwest Ballet in June
• DM rules
  by Wendy Stein
• National Ballet of Canada
• Banff Centre Fellows
• Deeply Feld
  by Joseph Carman
• Body image: are tattoos taboo?
  by Heather Wisner
• New York City Ballet
  by Doris Hering