Arts Publications
Topic: RSS FeedNonprofit know-how
Dance Magazine, Dec, 2004 by Karen Marks
I am considering getting nonprofit status for my dance company so that I can receive grants, but I've been told that if I go nonprofit my company won't belong to me. I've also heard that I might be able to partner with a nonprofit organization to sponsor me and my company. Where should I go for advice to figure out what will work best for my needs?
KAREN MARKS
GOLSTON POLYNESIAN DANCE COMPANY
DETROIT, MI
DM Responds:
Almost all dance companies eventually obtain not-for-profit status or become associated with a nonprofit umbrella organization that can serve as a conduit for contributions. If you are earning plenty of fees and box office income, then you may be financially stable enough to incorporate yourself. Choose your board of directors for their desire and ability to support your work, and you will never feel that the legal entity is slipping away from you. For information on how to incorporate, consult Dance/USA, a national advocacy organization, at www.danceusa.org, or Volunteer Lawyers for the Arts, which gives legal services to artists, at www.vlany.org.
Most Recent Arts Articles
- Slumdog comprador: coming to terms with the Slumdog phenomenon
- Still mining his Winnipeg: an interview with Guy Maddin
- It doesn't seem 'Canadian': quality television' and Canadian-American co-productions
- Second city or second country? The question of Canadian identity in SCTV'S transcultural text
- Hop on pop: jiangshi films in a transnational context
Most Recent Arts Publications
Most Popular Arts Articles
- What makes a successful business person? Business people who are tops in their field have a lot in common, and art professionals can learn a lot from their successes and strategies
- It's urban, it's real, but is this literature? Controversy rages over a new genre whose sales are headed off the charts
- The Horn identity: by day, Justin, Murdock is one of L.A.'s flashiest bachelors. By bight, he's Eliphas Horn, Goth antihero. (Eye).
- The Arnolfini double portrait: a simple solution
- Toni Cade Bambara's use of African American Vernacular English in "The Lesson"


