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Articles in Feb, 1994 issue of Dance Magazine
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Metropolitan Ballet Theatre. - Music Hall Center, Detroit, Michigan - dance reviews
by Kate O'Neill -
The Sleeping Beauty. - Wang Center for the Performing Arts, Boston, Massachusetts - dance reviews
by Iris M. Fanger -
American Tap Dance Orchestra. - Sylvia and Danny Kaye Playhouse, New York, New York - dance reviews
by Rose Anne Thom - Feld Ballet celebrates a birthday - 20th anniversary season
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A tourist attraction helps preserve tradition - Zimbabwe's Fall Craft Village produces programs of traditional African dancing
by Elizabeth Barad -
Chautauqua movement: led for the past ten years by Jean-Pierre Bonnefoux and Patricia McBride, the summer program at Chautauqua provides up-to-the minute training in a genteel, nineteenth-century setting - Chautauqua Institution's performing arts and danc
by Nicole Dekle -
Getting everybody to dance … now - television program 'Everybody Dance Now' by former 'Dance in America' associate producer Margaret Selby
by Rose Anne Thom -
Field of Dreams - Paul Taylor Dance Company, City Center Theater, New York, New York, October 26-November 7, 1993
by Robert Greskovic -
Kickoff - tribute to choreographer John Butler - Editorial
by Richard Philp -
Damn Yankees at bat on Broadway again - revival of musical comedy to open March 3, at New York, New York's Marriott Marquis Theatre
by Eileen Sondak -
Have dances, will travel: the late John Butler, a versatile and prolific choreographer, spread his abundant talent around the world, creating ballets for concert performance, for opera, and for television
by Camille Hardy - Post-injury investigations - includes related article on stages on exercises in ankle injuries
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Royal Ballet - Royal Opera House, Covent Garden, London, England, October 23-December 2, 1993
by Margaret Willis -
Relevance and renewal at the 92nd Street 'Y.' - Dance Center of the 92nd Street YM-YWHA
by Joseph H. Mazo -
Where the jobs are in modern dance
by Richard Dean Jenkins -
James Kudelka: out of the depths - Canadian choreographer
by Paula Citron -
Frankfurt Ballet - Theatre du Chatelet, Paris, France, October 20-30, 1993
by Roslyn Sulcas - Emile Ardolino - motion picture and television director - Obituary
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Mysteries and Raptures. - State Theatre, Cleveland, Ohio - dance reviews
by Wilma Salisbury -
Ka Cho Fu Getsu. - Lila Acheson Wallace Auditorium, Japan Society, New York, New York - dance reviews
by Anne Tobias -
Carmen de Lavallade makes magic - modern dancer's many talents
by Doris Hering -
Chaotic activity on the Berlin dance scene
by Horst Koegler -
Lynn Aaron: no dull tulle; when Feld Ballets/NY opens at New York City's Joyce Theater on February 15, Lynn Aaron is sure to play a leading role
by Cathryn Harding -
Hello, Columbus - JazzMet dance group that performs under the sponsorship of BalletMet, Columbus, Ohio
by Joseph M. Mazo -
Bill T. Jones/Arnie Zane Dance Company - Joyce Theater, New York, New York, October 19-31, 1993
by Camille Hardy -
Albany Berkshire Ballet. - The Empire Center at the Egg, Albany, New York - dance reviews
by Constance Valis Hill -
Tennessee Dance Theatre. - Symphony Space, New York, New York - dance reviews
by Caroline Kahn -
The Overcoat. - State Theatre, Cleveland, Ohio - dance reviews
by Wilma Salisbury -
Pretty Ugly Dance Company. - Wexner Center for the Arts, Columbus, Ohio - dance reviews
by Barbara Zuck -
Ballet Theatre Pennsylvania. - Tribeca Performing Arts Center, New York, New York - dance reviews
by Caroline Kahn -
Pew Trusts keep Philadelphia in the green - Pew Charitable Trusts' funding for Philadelphia, Pennsylvania dance groups and activities
by Hillary Homzie -
Julie Kent: ballerina for the 21st century - American Ballet Theatre principal dancer
by Terry Trucco -
The mother of British ballet: the founder of Britain's Royal Ballet, still a formidable presence at the age of ninety-five, recalls her long and illustrious career - Dame Ninette de Valois
by Margaret Willis -
Tokyo Ballet - Opera Garnier, Paris, France, November 6-10, 1993
by Bruce Merrill -
Dance - its lost tradition - the misfortune of certain choreographers not enjoying the legacy they deserve - Column
by Clive Barnes
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