Art in America

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Articles in Nov, 2007 issue of Art in America

• New art fair for a New Shanghai
  by Lisa Movius
• Street smarts: a series of "actions" that wove through disparate neighborhoods in New York City also tracked the byways of performance art's local history
  by Kirsten Swenson
• Stalking the imperceptible: a sampling of paintings and drawings from the last decade of Andrew Forge's life showed this revered teacher and critic to have been a master at capturing elusive perceptual experiences
  by Karen Wilkin
• Timothy Hutchings at I-20
  by Brian Boucher
• Julian Lethbridge at Paula Cooper
  by Susan Harris
• Kent Henricksen at John Connelly Presents
  by Nancy Princenthal
• Lesley Dill at the Neuberger Museum
  by Nancy Princenthal
• Tom Knechtel at Marc Selwyn
  by Michael Duncan
• 2007 Ad
• Getty Saga winding down
• Mass MoCA axes Buchel show
  by Stephanie Cash
• The new grass roots: in which five bloggers, based in Seattle, Philadelphia, Portland, Washington, D.C., and New York, provide an inside look at the growing presence of art writing online
  by Peter Plagens
• Mary Heilmann: coloring outside the lines: a more quixotic—and less ironic—artist than some of her friendliest critics have acknowledged, Heilmann has been a risk-taker throughout her career. A traveling exhibition surveys 40 years of her work
  by Peter Plagens
• Alex Hay at Peter Freeman
  by Brian Boucher
• David Godbold at Mitchell-Innes & Nash
  by Michael Harvey
• Mark Wyse at Wallspace
  by Lauren Ross
• Margo Victor at Venetia Kapernekas
  by Saul Ostrow
• John Arndt at Rowland Contemporary
  by Susan Snodgrass
• Zuka at Darthea Speyer
  by Paula Harper
• Obituaries
• African Art for Museum Mile
• Winged victory: Coop Himmelbau's addition to the Akron Art Museum is a triumph of bold visual statement, active engagement with its urban context and flexible interior space
  by Joseph Giovannini
• Remixing the past: melting down or pulverizing an eccentric array of materials, Dario Robleto then fashions them into relic-like objects with the sheen of historical authenticity
  by Michael Duncan
• Alain Kirili and Gaston Lachaise at Salander-O'Reilly
  by Matthew Guy Nichols
• Merrill Wagner at Sundaram Tagore
  by Carey Lovelace
• Gillian Carnegie at Andrea Rosen
  by David Humphrey
• Tom Green at George Mason University
  by J.W. Mahoney
• Channa Horwitz at Solway Jones
  by Stephen Maine
• The second Calder Prize, conferred by the Calder Foundation, has been awarded to New York-based Zilvinas Kempinas
• New York's Museum of Arts & Design
• Ab-Ex confidential: the way they were
  by Richard Kalina
• How to do things with buildings: the work of Gordon Matta-Clark, lately the subject of renewed attention, is generously surveyed in a traveling exhibition. A striking feature shared by his building cuts and photographs as well as his films is their perfor
  by Tom McDonough
• Suzanne McClelland at David Krut
  by Nancy Princenthal
• Robyn O'Neil at Clementine
  by Susan Harris
• Anna Gaskell at Yvon Lambert
  by Nancy Princenthal
• Carla Klein at Tanya Bonakdar
  by David Coggins
• Theodore Halkin at Corbett vs. Dempsey
  by Victor M. Cassidy
• Geoffrey Chadsey at the Contemporary Museum
  by Marcia Morse
• Julian Schnabel recently won the Gucci Group Award at the Venice Film Festival
• Barnes names architects
  by Stephanie Cash
• Behind the wheel with Henry Wessel: this restless chronicler of the American West was recently the subject of shows in San Francisco, New York and Cologne
  by Melissa E. Feldman
• Things he carried: Kim Jones's retrospective features sculpture, graphic works, and the documentation and relics of Mudman, his earth-smeared performance alter ego, who appears in a pantyhose mask and foam-rubber headdress with a stick structure on his ba
  by Stephen Maine
• Christian Boltanski at Marian Goodman
  by Janet Koplos
• June Leaf at Edward Thorp
  by Julian Kreimer
• William T. Wiley at Charles Cowles
  by Eleanor Heartney
• Julie Evans at Julie Saul
  by Stephanie Cash
• David Schutter at Paul Kotula
  by Vince Carducci
• Fabian Seiz at Spielhaus Morrison
  by Axel Lapp
• Fisk case resolved
  by Stephanie Cash
• Chinese art before the gold rush
• Continental drift: the largest exhibition of contemporary African art ever assembled, "Africa Remix" revealed a startling range of practice, much of it little known till now to the world at large
  by Steven Dubin
• The fine art of word slicing: in "room pieces" composed of metal pipes, black tape and adhesive letters, Brussels-based American-born artist Peter Downsbrough playfully engages the logic of linguistic and spatial order
  by Sarah McFadden
• Mike Nelson at the Essex Street Market
  by Stephen Maine
• Michael Hursen at the Fisher Landau Center
  by Edward Leffingwell
• Kevin Zucker at Greenberg Van Doren
  by David Cogins
• "Americans in Paris: Abstract Painting in the 1950s" at Tibor de Nagy
  by Raphael Rubinstein
• Rollin Marquette at the MIA
  by Janet Koplos
• Rashid Rana at Nature Morte
  by Lilly Wei
• Prado addition opens
• Performa 07 takes the stage
  by David Ebony
• Village of light: in an exhibition organized by the Savannah College of Art and Design, seven artists installed works throughout the medieval town of Lacoste, where the school has its French campus
  by Lilly Wei
• Rock out: heavy metal met minimalist form in Banks Violette's recent exhibitions at two New York galleries. Fire, ice and noise gave the installations a chaotic edge
  by Lauren Ross
• Tim Hawkinson at PaceWildenstein
  by Michael Harvey
• Ingrid Calame at James Cohan
  by Casey Ruble
• Emilio Perez at Galerie Lelong
  by Casey Ruble
• Ying Li at Haverford College
  by Faye Hirsch
• John M. Miller at Margo Leavin
  by Frances Colpitt
• The Praemium Imperiale awards, given by the Japan Art Association for lifetime achievement in areas not covered by the Nobel Prizes, were recently presented to Daniel Buren, Tony Cragg, the team of Herzog & de Meuron, Ellen Stewart, founder and artist
• Changes for the Walker and MOMA
• Ullens Center opens in Beijing
  by Richard Vine
• Preserving the local: the fifth Asia-Pacific Triennial, expanding into the new Gallery of Modern Art, Australia's largest contemporary art museum, kept its focus on culturally specific themes
  by Felicity Fenner
• Vestiges of memory: themes of separation, dislocation and entrapment pervade the work of Afro-Cuban artist Maria Magdalena Campos-Pons, as she devises her own vocabulary of adaptation
  by Susan Snodgrass
• Assume vivid astro focus at John Connelly Presents
  by Benjamin Lima
• Eric Holzman at the New York Studio School
  by Robert Berlind
• Lazhar Mansouri at Westwood
  by Edward Leffingwell
• Juri Morioka at Merge
  by Jonathan Goodman
• Charles Pompilius at David Klein
  by Gerry Craig
• Christian Philipp Muller at the Museum fur Gegenwartskunst
  by Cornelia Lauf
• Lenore Tawney 1907-2007
• Asia Society to build collection

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