Bibliography for: "Deconstructive constructivist: over more than 30 years, Don Gummer has moved from architecturally influenced installations to intricate, large-scale sculptures that give postmodern life to classic principles of abstract composition"

Irving Sandler "Deconstructive constructivist: over more than 30 years, Don Gummer has moved from architecturally influenced installations to intricate, large-scale sculptures that give postmodern life to classic principles of abstract composition". Art in America. FindArticles.com. 06 Dec, 2009. http://findarticles.com/p/articles/mi_m1248/is_1_93/ai_n8590997/

Art in America

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Articles in Jan, 2005 issue of Art in America

• Legal duel over Picasso Portrait
  by Raphael Rubinstein
• Adams and Stieglitz: a friendship: when Ansel Adams met Alfred Steiglitz in 1933, the two photographers embarked on an enduring personal relationship that was the most important of Adams's artistic life
  by Sandra S. Phillips
• Jon Gregg at 55 Mercer
  by Robert Berlind
• Julia Jacquette at Michael Steinberg
  by Faye Hirsch
• Angelo Ippolito at David Findlay Jr
  by Tom McDonough
• Maurizio Cannavacciuolo at the Isabella Stewart Gardner Museum
  by Ann Wilson Lloyd
• J. Paul Getty Trust
• Obituaries
• New School University
• Americans for the Arts
• The write stuff
  by John H. Bickford
• Unearthing Ant Farm: a quarter century after the disbanding of Ant Farm, a traveling exhibition pieces together the history of this group of iconoclastic, media-obsessed artists
  by Melissa E. Feldman
• Rachel Harrison at Greene Naftali
  by Nancy Princenthal
• Andreas Gursky at Matthew Marks
  by Paul Mattick
• John Monti at Elizabeth Harris
  by Roger Boyce
• Brice Brown and Don Joint at Francis M. Naumann
  by Edward Leffingwell
• Mark Handforth at Roma Roma Roma
  by Cornelia Lauf
• The University of Oklahoma in Norman opens its newly expanded and renovated Fred Jones Jr. Museum of Art on Jan. 21
• Charles Stainback, executive director of SITE Santa Fe since September 2003, has left the museum due to personal differences with board members
• Amon Carter Museum
• Contemporary art bolsters fall auction results
  by David Ebony
• The body according to Chadwick: with material ingenuity and anatomical candor, Helen Chadwick used photos, sculptures and ambitious installations to explore the physical basis of experience. A touring exhibition surveys this British artist's brief bright
  by Lynn MacRitchie
• Paul Fenniak at Forum
  by Michael Amy
• "Rock's Role After Ryoanji" at Art in General
  by Faye Hirsch
• T.L. Solien at Luise Ross
  by Charles Dee Mitchell
• Sanford Biggers at the Contemporary Arts Center
  by John Bowles
• Walter Hopps Award for Curatorial Achievement
• New MOMA packs 'em in
• No-Strings Foundation
• Corrections
• NY galleries
• Catherine Lee at Lelong
  by Nancy Princenthal
• Miriam Schapiro at Kristen Frederickson
  by Eleanor Heartney
• Thomas Kiaer at DCA
  by Michael Amy
• Barry Goldberg at Howard Scott and Larry Becker Contemporary
  by Miriam Seidel
• Art schools
• The Queens Museum is set to begin its $28.8-million renovation and expansion project, designed by Eric Owen Moss
• School of Visual Arts
• University of Arizona
• Levy auction in Paris a blockbuster
• Dan Flavin: singing the art electric: from tentative drawings to commanding fluorescent installations, the art of Dan Flavin is presented in an expertly staged retrospective—the first career survey for this Minimalist master in more than three decade
  by Marcia E. Vetrocq
• Li-lan at Nabi
  by Robert Berlind
• Elaine Reichek at at Nicole Klagsbrun
  by Susan Harris
• Ralph Iwamoto at David Findlay Jr
  by Elisa Decker
• Anil Revri at the Corcoran
  by Michael Amy
• Aldrich Museum of Contemporary Art
• LeWitt's Six-Walls: ghost of Tilted Arc?
  by David Ebony
• Maine College of Art
• Met acquires rare Duccio
• Art in the blogosphere
  by Raphael Rubinstein
• Langlands and Bell's war
  by Ben Langlands
• The forensic eye: the latest work from Sally Mann, shown recently at the Corcoran Gallery, uses mostly antique photographic methods to explore themes of memory, death and decay
  by Eleanor Heartney
• Phoebe Washburn at LFL
  by Michael Amy
• Deborah Roan at von Lintel
  by Edward Leffingwell
• John Grillo at Katharina Rich Perlow
  by Jonathan Goodman
• Don Joint at Prince Street
  by Lance Esplund
• Janet Laurence at Sherman Galleries and Arc One
  by Felicity Fenner
• The Stedelijk Museum in Amsterdam recently selected Dutch architects Benthem Crouwel to design its new expansion and renovation project
• Anthony Hirschel, director of the Indianapolis Museum of Art since November 2001, recently resigned for personal reasons, stating that he was no longer "the best fit for the museum."
• Virginia Museum of Fine Arts
• Three visions: landscape in 2005
• Person, place and thing: "The Undiscovered Country," an idiosyncratic show at the Hammer Museum in Los Angeles, examines the last 40 years of representational painting, with an emphasis on the present
  by Raphael Rubinstein
• Jake Berthot at McKee
  by Hearne Pardee
• La Wilson at John Davis
  by Edward M. Gomez
• Greg Drasler at Van Brunt
  by Gerard McCarthy
• Christina Shmigel at the St. Louis University Museum of Art
  by Mel Watkin
• Rema Hort Mann Foundation
• Taniguchi to build in Houston
• The University of Michigan Museum of Art
• In the age of the monochrome
  by Terry Berne
• Exploring Cornell
  by Robert Lehrman
• Noguchi's Odyssey
  by Hayden Herrera
• Deconstructive constructivist: over more than 30 years, Don Gummer has moved from architecturally influenced installations to intricate, large-scale sculptures that give postmodern life to classic principles of abstract composition
  by Irving Sandler
• Jamie Isenstein at Guild & Greyshkul
  by Michael Amy
• Vincenzo Amato at Earl McGrath
  by Steven Vincent
• Nancy Chunn at Ronald Feldman
  by Edward Leffingwell
• John Miller at at FlatFile Contemporary
  by Victor M. Cassidy
• The California Community Foundation
• Museum of Modern Art and P.S. 1
• Frist Center for Visual Arts

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