Bibliography for: "Contemporary art, uncovered: a survey of major newspapers and weekly magazines suggests that visual art is steadily losing ground in the popular press, even as its audience—and market—grows exponentially"

Peter Plagens "Contemporary art, uncovered: a survey of major newspapers and weekly magazines suggests that visual art is steadily losing ground in the popular press, even as its audience—and market—grows exponentially". Art in America. FindArticles.com. 01 Jan, 2010. http://findarticles.com/p/articles/mi_m1248/is_2_95/ai_n17216563/

Art in America

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Articles in Feb, 2007 issue of Art in America

• Eakins: revealed and revenged
  by Ann Bronwyn Paulk
• Mary Temple and Liza McConnell at Smack Mellon
  by Stephen Maine
• Sherri Geldin, director of the Wexner Center for the Arts in Columbus, Ohio, was recently made a Chevalier in the Order of Arts and Letters by the French Cultural Ministry
• State University of New York
• A well-tempered collection: the inaugural exhibition at the Hessel Museum of Art at Bard College samples its founder's collection of recent art to great advantage
  by Marcia E. Vetrocq
• Annette Messager at Marian Goodman
  by Kirsten Swenson
• Correction
• Public art goes green
• Tavares Strachan at Pierogi and Ronald Feldman
  by Gregory Volk
• Mark Grotjahn at the Whitney Museum of American Art
  by Matthew Guy Nichols
• Kim Beck at the Center for the Arts
  by Leigh Anne Miller
• "Reprocessing Reality" at P.S.1
  by David Ebony
• The Tokyo-based Japan Art Association has presented its annual Praemium Imperiale prizes to five individuals in various art fields
• Guy Cogeval, director of the Montreal Museum of Fine Art since 1998, will leave his post at the end of his contract in June 2007
• The Candor of Kiki Smith: a traveling exhibition samples Smith's manifold provocations and confirms her surpassing ability to express the vagaries of physical experience
  by Nancy Princenthal
• Mary Miss at Senior & Shopmaker
  by Cathy Lebowitz
• Roger Ricco at Sara Tecchia
  by Edward M. Gomez
• Kenneth Callahan at Woodside/Braseth
  by Matthew Kangas
• The hills are alive: with the opening of the Denver Art Museum's new building, designed by Daniel Libeskind, Denver has staked its claim in the contemporary art world. Boulder and Aspen add to the mix
  by Stephanie Cash
• Charles Garabedian at Betty Cuningham
  by Edward Leffingwell
• Obituaries
• Contemporary art, uncovered: a survey of major newspapers and weekly magazines suggests that visual art is steadily losing ground in the popular press, even as its audience—and market—grows exponentially
  by Peter Plagens
• Lisa Yuskavage at David Zwirner and Zwirner & Wirth
  by Eleanor Heartney
• The Joan Mitchell Foundation has presented its 2006 grants to 25 painters and sculptors, who each receive $25,000
• Iron giants invade Grant Park
• History in process: making a virtue of necessity, the second Lodz Biennale offered a modest, nationally based alternative to global extravaganzas
  by Richard Vine
• Bryan Hunt at Danese
  by Edward Leffingwell
• Robert Birmelin at Luise Ross
  by P.C. Smith
• Urs Fischer at the Blaffer Gallery
  by Phyllis Tuchman
• Todd Siler at Ronald Feldman
  by Lilly Wei
• Lance Fung
• Art in General
• Patterns of thought: Hedda Sterne: a founding member of the New York School and the last surviving painter of its first generation, Hedda Sterne, now 96, discusses many phases of her life and career. Her work is currently on view in a traveling retrospect
  by Joan Simon
• Garth Evans at Lori Bookstein
  by Ann Compton
• Barbara Siegel at A.I.R
  by Carl Little
• Rupert Garcia at Rena Bransten
  by Mark Van Proyen
• Hartley's Nova Scotia tragedy on screen
  by David Ebony
• Nickson's republic of sensibility: several recent and upcoming exhibitions prompt the author to consider Graham Nickson's paintings, charcoal drawings and watercolors—and his place in the figurative tradition
  by Carter Ratcliff
• David Row at Von Lintel
  by Lilly Wei
• Wendy White at Sixty-seven
  by Stephen Maine
• MAC @ MAM in Miami
• The discipline of nuance
  by Frances Colpitt
• Elizabeth Murray at PaceWildenstein
  by Eleanor Heartney
• Sarah Plimpton at June Kelly
  by Michael Amy
• Design for living: the 27th Sao Paulo Bienal eliminated national representatives and took as its theme "How to Live Together"
  by Edward Leffingwell
• Claire Cowie at James Harris
  by Suzanne Beal
• Market the Louvre abroad? How Gauche
  by Stephanie Cash
• Robert Rosenblum, 1927-2006
  by Brooks Adams
• Jim Richard at Oliver Kamm/5BE
  by Brian Boucher
• Michele Zalopany at Esso
  by Michael Amy
• Michael Haykin at the Yellowstone Art Museum
  by Casey Ruble
• Joseph Kosuth at Sean Kelly
  by Kirsten Swenson
• Art services
• Getty Museum
• Eakins painting to stay in Philly
  by Stephanie Cash
• Alpha and omega: in contemplating how letters accrete into words and words into meanings, painter Tauba Auerbach depicts a variety of alphabets and semantic systems—from cuneiform to digital code—while leaving the essential mystery intact
  by Leah Ollman
• Raoul De Keyser at David Zwirner
  by Stephen Maine
• Phil Joanou at Paul Sharpe
  by Jonathan Goodman
• Michelle Allard and Maider Fortune at Mercer Union
  by Melissa Kuntz
• Private dealers
• Pavel Kraus at OK Harris
  by Marek Bartelik
• Wayne White at Clementine
  by Casey Ruble
• Jane Callister at Susanne Vielmetter Los Angeles Projects
  by Michael Duncan
• Pulse New York
• Conrad Shawcross at Victoria Miro
  by Ana Finel Honigman
• Parachute halts publication
• Shape Shifter: Allan McCollum's new "Shapes Project" can generate a distinctive graphic identity for everyone alive when world population peaks in 2050. Some 7, 000 examples were recently on view
  by Nancy Princenthal
• Jane Schneider at June Kelly
  by Jonathan Goodman
• Giorgio Morandi at Paul Thiebaud
  by Stephen Westfall
• Lisa Venditelli at David Zapf
  by Robert L. Pincus
• Lucas Samaras at PaceWildenstein
  by Eleanor Heartney
• Alix Le Meleder at Galerie Zurcher
  by Joe Fyfe
• NEA grants for 2007