Bibliography for: "The enduring ephemera of general idea: an ambitious 30-year survey assembles prints, posters, photo works, banners and other objects that document General Idea's legacy of irreverent wit and fierce activism"

Peter Gallo "The enduring ephemera of general idea: an ambitious 30-year survey assembles prints, posters, photo works, banners and other objects that document General Idea's legacy of irreverent wit and fierce activism". Art in America. FindArticles.com. 21 Dec, 2009. http://findarticles.com/p/articles/mi_m1248/is_3_93/ai_n13628926/

Art in America

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Articles in March, 2005 issue of Art in America

• Corrections
• Jim Nichols
  by Stephanie Cash
• The eternal joy of an attentive mind: Agnes Martin continued to work until several months before her death in December. The author considers the painter's attitudes toward life and art as reflected in two recent exhibitions—one of early work, current
  by Lilly Wei
• Gary Garrels, chief curator of drawings and a curator in the department of painting and sculpture at New York's Museum of Modern Art since 2000, is leaving to become senior curator at the Hammer Museum in Los Angeles
  by Stephanie Cash
• Agnes Martin, 1912-2004
  by Jill Johnston
• Jessica Rankin at the project
  by Matthew Guy Nichols
• Theresa Hackett at Florence Lynch
  by Stephen Westfall
• Art schools
• The Joan Mitchell Foundation
  by Stephanie Cash
• Art and religion controversy in Buenos Aires
  by Lyle Rexer
• France's new satellite museums
• Elizabeth Simonson at Plane Space
  by Edward Leffingwell
• Peter Greaves at Forum
  by Michael Amy
• Mike Cockrill at 31 Grand
  by Steven Vincent
• James Howell at Charlotte Jackson
  by Lilly Wei
• Art blooms in Mexico's boomtown; while remaining one of Latin America's most stable financial centers, Monterrey is currently in the process of establishing a lively cultural identity befitting its vibrant economy
  by David Ebony
• Minimalism amended
  by Corey Postiglione
• Charles Searles
  by Stephanie Cash
• Jesus Rafael Soto
  by Stephanie Cash
• U.S. funds for Angkor restoration
• Lost in the moment: the Rodney Graham retrospective offers three decades of work in several mediums, but it's the films and videos that fully convey this Canadian artist's finesse, eccentricity and abiding good humor
  by Christopher Miles
• Joseph Bernard at Batistaln
  by Gerry Craig
• The Anonymous Was A Woman Foundation
  by Stephanie Cash
• Beer and Friends
  by Tom Marioni
• Marnie Gillett
  by Stephanie Cash
• Art Basel Miami beach: who profits?
  by Roni Feinstein
• Cildo Meireles at Galerie Lelong
  by Jonathan Gilmore
• Dan Christensen at Edward Thorp
  by Jonathan Gilmore
• Harold Stevenson at Mitchell Algus
  by David Ebony
• Dan Peterman at the MCA
  by Susan Snodgrass
• Foundation for Contemporary Performance Arts
  by Stephanie Cash
• Superstore at ancient Mexican site
• Pen & ink
  by Peter Saul
• The Whitney Museum of American Art has selected Chrissie lies, its curator of film and video, and Philippe Vergne, senior curator of visual arts at the Walker Art Center in Minneapolis to organize the 2006 Whitney Biennial, scheduled to open in March 2006
  by Stephanie Cash
• David Altmejd at Andrea Rosen
  by Sarah Schmerler
• Elena Sisto at Littlejohn
  by Hearne Pardee
• Hunt Slonem at Marlborough Chelsea
  by Edward Leffingwell
• Carolyn Swiszcz at Gallery Co
  by Michael Fallon
• Art services
• Reading between the lines: Joseph Kosuth's ambitious new gallery installation, made up of neon and texts, was characterized by visual complexity and intellectual heterodoxy. And the components were for sale—priced according to word length
  by Nancy Princenthal
• Let's get metaphysical: for the latest Carnegie International, curator Laura Hoptman has sought a philosophical or spiritual dimension in the works selected
  by Gregory Volk
• In defense of Pictorialism
  by Dennis Reed
• Wai-kam Ho
  by Stephanie Cash
• High Museum of Art
  by Stephanie Cash
• Kelly McLane at CRG
  by Steven Vincent
• St. Clair Cemin at Brent Sikkema
  by Nancy Princenthal
• Karen Lebergott at Sonnenschein
  by Victor M. Cassidy
• Kimber Smith at the Kunstmuseum
  by Judith Trepp
• Gregor Schneider in East London
  by Faye Hirsch
• Charles Biederman
  by Stephanie Cash
• Institute for Advanced Study in Princeton
  by Stephanie Cash
• Elinor Milchan at Paul Rodgers
  by Daniel Belasco
• Brad Kahlhamer at the Museum of Contemporary Art
  by Deborah Sussman Susser
• Coalition troops damage Babylon
  by Stephanie Cash
• The enduring ephemera of general idea: an ambitious 30-year survey assembles prints, posters, photo works, banners and other objects that document General Idea's legacy of irreverent wit and fierce activism
  by Peter Gallo
• Land art speculation
  by Suzaan Boettger
• Harley Baldwin
  by Stephanie Cash
• Israel-based Wolf Foundation
  by Stephanie Cash
• Museum for Gelman collection opens in Cuernavaca
  by John Russell
• NY galleries
• Beatriz Milhazes at James Cohan
  by Matthew Guy Nichols
• Jene Highstein at Anthony Grant
  by Michael Amy
• Ettore Sottsass at Barry Friedman
  by Edward Leffingwell
• Andrew Myers at Doll Gardner
  by Sue Taylor
• Kori Newkirk is the winner of the $25,000 William H. Johnson Prize
  by Stephanie Cash
• Mark Dion at MOMA
  by Steven Vincent
• Susan Sontag, 1933-2004
  by Ted Mooney
• Husband-and-wife artists Chris Burden and Nancy Rubins resigned from the UCLA art department in December over an incident involving a student using a gun for a performance in a class taught by Ron Athey
  by Stephanie Cash
• Istanbul modern launched
• Lisa Sigal at Frederieke Taylor
  by Faye Hirsch
• Elise Siegel at Garth Clark
  by Nancy Princenthal
• Bob Mizer at Western Projects
  by Michael Duncan
• Guggenheim chairman quits in protest
  by Stephanie Cash
• The persistence of Dali
  by Charles Stuckey
• Guy Davenport
  by Stephanie Cash
• Stroom The Hague
  by Stephanie Cash
• Philip Johnson 1906-2005
  by Franz Schulze
• The new modern: itineraries: in which seven critics and art historians traverse the Museum of Modern Art's immense new complex, highlighting what they liked most and speculating on future directions for this perpetual work-in-progress
  by Linda Nochlin
• Lydia Dona at Michael Steinberg
  by Stephen Maine
• Lucy Slivinski at Phyllis Kind
  by Edward Leffingwell

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