Bibliography for: "Hot pots and potshots"

Lee Rosenbaum "Hot pots and potshots". Art in America. FindArticles.com. 07 Jan, 2010. http://findarticles.com/p/articles/mi_m1248/is_4_94/ai_n16123916/

Art in America

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Articles in April, 2006 issue of Art in America

• The Skowhegan School of Painting and Sculpture recently announced the winners of its 2006 awards
• Jon Imber at Nielsen
  by Carl Little
• The lost art of Iraq
  by David Ebony
• A-Z and everything in between: Andrea Zittel has sought to redesign art and life in her experimental works, including handmade clothing, architectural "living units," breeding projects and recycling systems. A traveling survey provides a coheren
  by Stephanie Cash
• Helen Miranda Wilson at DC Moore
  by Jonathan Gilmore
• Anthony Dubovsky at Cue Art Foundation
  by Nathan Kernan
• Billie Grace Lynn at the Lowe Art Museum
  by Roni Feinstein
• Hayward Gallery
• Artists picked for SITE Santa Fe
• Kuh's coups
  by Nathan Kernan
• The music of chance: Larry Poons's physically lush, structurally complex and chromatically seductive new work, seen in two recent New York gallery exhibitions, sums up his evolution since the "dot" and "lozenge" paintings of the 1960s
  by Karen Wilkin
• Gordon Moore at Betty Cuningham
  by Susan Harris
• Robert Berlind at Tibor de Nagy
  by Hearne Pardee
• Beverly Fishman at Skestos Gabriele
  by Victor M. Cassidy
• Camerawork
• Rio art heist at Carnival
• On the waterfront: the second Yokohama Triennale, set in warehouses in an active port zone, had a subtext of international movement
  by Janet Koplos
• Steve Currie at Elizabeth Harris
  by Saul Ostrow
• Raoef Mamedov at Silverstein Photography
  by Edward Leffingwell
• Nicolas Carone at Lohin Geduld
  by Stephen Maine
• Lead Pencil Studio at the Henry Art Gallery
  by Jen Graves
• Arts in Hong Kong: on and off
• Judds for sale
• Gabriel Orozco is the winner of the second blueOrange award, worth approximately $92,500
• ArtTable
• Gwen Hardie at Dinter
  by Michael Amy
• Bling and beyond: the 35 artists in "Frequency," the Studio Museum in Harlem's recent survey of emerging African-American talent, revealed a shared interest in manipulating cultural idioms to express new—often "post-black"—re
  by Sarah Valdez
• The last flaneur
  by Raphael Rubinstein
• Mel Leipzig at Gallery Henoch
  by Edward Leffingwell
• Davis Cone at Forum
  by Edward Leffingwell
• Tom Joyce at Evo
  by Arden Reed
• Kobena Mercer, Linda Nochlin and Calvin Tompkins are the first recipients of the Clark Prize for Excellence in Arts Writing
• Getty trust head abruptly departs
• Gardner theft explored in film
  by Stephanie Cash
• NY galleries
• Young Sun Lim at Stux
  by Michael Amy
• Laurence Hegarty at Cynthia Broan
  by Saul Ostrow
• Yun Gee at Marlborough
  by Jonathan Gilmore
• Carlos Villa at SFMOMA Artists Gallery
  by Peter Selz
• Farnsworth Art Museum
• Big Bucks for Met Photos
• Nam June Paik, 1932-2006
  by John Hanhardt
• James Siena's linear cosmos: in paintings, gouaches and drawings that make the most of line while remaining resolutely abstract, James Siena creates a near mystical sense of progression and abundance, even at the small scale in which he usually chooses to
  by Stephen Westfall
• David Hammons at Triple Candle
  by Nancy Princenthal
• Lee Ranaldo and Leah Singer at Gigantic Art Space
  by Raphael Rubinstein
• Anderson Giles at the University of Maine, Reed Gallery
  by Carl Little
• O'Keeffe assets to artist's museum
  by Sue Taylor
• Storr named dean of Yale Art School
• Lichtenstein's Indian territory: linking two bodies of painting based on Native-American subjects and motifs, and supplementing them with historical objects, a traveling exhibition explores a little-known aspect of Roy Lichtenstein's career
  by Richard Kalina
• Hot pots and potshots
  by Lee Rosenbaum
• Vicken Parsons at Christine Konig
  by Jane Neal
• San Francisco Museum of Modern Art
• James Kelly at Katharina Rich Perlow
  by Faye Hirsch
• Kirsten Everberg at 1301PE
  by Jori Finkel
• Wrapped in the State: an exhibition of World War II-era clothing with propagandistic themes illustrates the personal dimensions of home front mobilization
  by Faye Hirsch
• Attack of the Cephalopods: hallucinatory battles between monstrous octopi and whirring helicopters fill Steve DiBenedetto's intensely worked paintings and drawings
  by Matthew Guy Nichols
• Roy DeForest at George Adams
  by Stephen Maine
• Mark Bradford at Sikkema Jenkins
  by Donald Lindeman
• Ron Laboray at Gallery 210 at the University of Missouri
  by Mel Watkin
• Vassar College's Frances Lehman Loeb Art Center
• Art Dealers host splashy "Art Show"
  by David Ebony
• George Brecht, the philosopher of Fluxus: a master of self-effacement who has spent the past three decades in "accelerated creative inactivity," George Brecht, one of the core members of the Fluxus group, is reintroduced to a wide public in a co
  by Jill Johnston
• Stanley Brouwn at Yvon Lambert
  by Susan Harris
• Lynn Hershman Leeson at Bitforms
  by Edward Leffingwell
• Stella Waitzkin at Robert Steele and the Chelsea Hotel
  by Edward Leffingwell
• Richard Long at Haunch of Venison
  by David Coggins
• New director for L.A. county
• Spurling's Matisse commended
  by Catherine C. Bock-Weiss
• Flowers of friendship: a legendary beat-era artist's publication is the focus of a traveling exhibition titled "Semina Culture: Wallace Berman & His Circle."
  by Leah Ollman
• Easel pleasures: featuring a formally diverse assortment of paintings by the welsh artist and critic Merlin James, a recent exhibition highlighted the modernist-inspired versatility of his 20-year careen
  by Faye Hirsch
• Paula Scher at Maya Stendhal
  by David Coggins
• Carolina Raquel Antich at Florence Lynch
  by Edward Leffingwell
• Bailey Doogan at the Tucson Museum of Art and Etherton
  by Deborah Sussman Susser
• The Guggenheim Museum in New York recently announced the shortlist for the 2006 Hugo Boss Prize
• Shelburne [Vt.] Museum
• Gary Petersen at Michael Steinberg
  by Stephen Maine
• Barbara Rubin remembered
  by Philip Zuchman
• Color pioneer: nearly three decades before MOMA conferred institutional legitimacy on color photography in the fine arts, Saul Leiter was shooting distinctly painterly, subtly modulated Kodachrome slides
  by Stephen Maine
• Magdalena Abakanowicz at Marlborough
  by David Ebony
• Lari Pittman at Barbara Gladstone
  by Stephen Maine

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