Art in America

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Articles in April, 2007 issue of Art in America

• Nicola Lopez at Caren Golden
  by Saul Ostrow
• Fluxus for the people
  by Jacquelynn Baas
• L.A. Art in New York
  by Constance Wyndham
• Stan Douglas's Fugue States: Douglas's complex projects in video, film and still photography, seen in two recent New York exhibitions, explore the social costs of collective memory loss and other failures of historical understanding
  by Nancy Princenthal
• Brendan Cass at Freight + Volume
  by David Humphrey
• Nathan Slate Joseph at Sundaram Tagore
  by Jonathan Gilmore
• Pamela Jorden at Klaus von Nichtssagend
  by Stephen Maine
• Cris Bruch at Elizabeth Leach
  by Jen Graves
• Seeing Manet's Light
  by David Wilder
• The Armory show
  by Stephanie Cash
• Temples of art: a biennial with the theme of "belief" placed artworks in Buddhist and Hindu temples, Catholic churches and a mosque
  by Eleanor Heartney
• Dan Peterman at Andrea Rosen
  by Nancy Princenthal
• Sarah Malakoff at Plane Space
  by David Coggins
• Fran Siegel at Margaret Thatcher
  by Jonathan Goodman
• Barbara Cooper at the Chicago Cultural Center
  by Victor M. Cassidy
• Wadsworth Atheneum
• Rene Laubies at Alain Margaron
  by Paul B. Franklin
• Joe Ben Plummer at Redhead, Lower Manhattan Cultural Council
  by Constance Wyndham
• Christie's buys art gallery
• Brazilian improv: the "Tropicalia" exhibition looked back on a psychedelic, utopian dream that once fired Brazil's art, music, literature, cinema and fashion
  by Edward Leffingwell
• Living color: in a 40-year retrospective currently in Houston, painter Sam Gilliam reveals a restless concern with freeing color from its familiar constraints
  by Lilly Wei
• George Maciunas at Maya Stendhal
  by Michael Amy
• Arturo Herrera at Sikkema Jenkins
  by Marcia E. Vetrocq
• John Walker at Nielsen
  by Carl Little
• Eva Grun at Romerapotheke
  by David Coggins
• The Art Show
  by David Ebony
• NY galleries
• Ron Mueck at the Brooklyn Museum
  by Michael Amy
• Catherine Yass at Lelong
  by Edward Leffingwell
• Zeng Hao at Fredericks & Freiser
  by Michael Amy
• Arnold Mesches at Dorsch
  by Paula Harper
• New York's Dia Art Foundation
• Where's the criticism?
  by Gerry Bell
• Red Dot
  by Leigh Anne Miller
• The dream of aboriginal art: the author reflects on the visual richness and symbolic complexity of an art form that has come to occupy a significant place in the history of modernism
  by Richard Kalina
• Glen Rubsamen at Robert Miller
  by Michael Amy
• Taiji Taomote at Gallery Onetwentyeight
  by Michael Amy
• Robert Richenburg at the Sidney Mishkin Gallery, Baruch College
  by Jonathan Gilmore
• Ying-Yueh Chuang at Davidson
  by Matthew Kangas
• The Institute of Contemporary Art in Boston has presented Kelly Sherman with the $25,000
• Puni Kukahiko at Hawaii Pacific University
  by Marcia Morse
• Luo Brothers at Sara Meltzer
  by Eleanor Heartney
• New Greek and Roman Galleries at the Met
• Shape-shifting Woodmans
  by Micaela Amateau Amato
• Pulse
  by Constance Wyndham
• A night in the life: for his new video installation sleepwalkers, Doug Aitken used the exterior of MOMA as an outdoor theater
  by Stephanie Cash
• Enoc Perez at Mitchell-Innes & Nash
  by Sarah Valdez
• Leonid Lerman at McKee
  by Jonathan Gilmore
• Sally Michel at Katharina Rich Perlow
  by Jonathan Goodman
• William LePore at Butters
  by Sue Taylor
• Obituaries
• Irene Hardwicke Olivieri at ACA
  by Carl Little
• Victory for Dutch dealer's heirs
  by Raphael Rubinstein
• DiVA
  by Stephanie Gonzalez-Turner
• Sussman's Sabines: in her sumptuous, feature-length Rape of the Sabine Women, recently screened in New York, Eve Sussman updates Roman myth and its Neo-Classical representations with references that range from David Hockney to Jacques Tati
  by Marcia E. Vetrocq
• Enrique Chagoya at George Adams
  by Leigh Anne Miller
• A.L. Steiner at John Connelly Presents
  by Faye Hirsch
• David Fertig at James Graham & Sons
  by Bill Scott
• George Henry Longly at Dicksmith
  by David Coggins
• Reclaiming Kalighat art
  by Scott Rothstein
• Scope
  by Leigh Anne Miller
• Barela's world: a mystic of demystification, the self-taught artist Patrocino Barela rendered everything from saints to sinners and beyond in his minimally sculpted, found-wood sculptures
  by Sarah S. King
• Amy Yoes at Michael Steinberg
  by David Coggins
• Brian Chippendale at D'Amelio Terras
  by Constance Wyndham
• Frank Bowling at at G.R. N'Namdi
  by Julian Kreimer
• Kendell Carter at the Hammer Museum
  by Constance Mallinson
• Contemporary Arts Museum Houston
• The Whitney Museum of American Art has announced that its own curators Henriette Huldisch and Shamim M. Momin will organize the 2008 biennial
• William King at Alexandre
  by Eleanor Heartney
• The Cisneros Fontanals Art Foundation in Miami has selected the winners of its 2007 Grants and Commissions Program to support emerging and midcareer artists from Latin America
• New exhibition hub for Tokyo
• Sailing into the 21st century: one of only two Portuguese institutions devoted exclusively to contemporary art, the Ellipse Foundation recently opened a permanent venue near the capital
  by David Ebony
• Babylon without borders: reacting to the dearth of U.S.-Iraq commerce and the plunder of Iraqi antiquities, Michael Rakowitz revived his grandfather's import-export store and re-created still-missing artifacts looted from the National Museum of Iraq
  by Brian Boucher
• Eleanore Mikus at the Drawing Center
  by Daniel Belasco
• Roberto Juarez at Charles Cowles
  by Carol Diehl
• Barbara Zucker at Borowsky
  by Anne R. Fabbri
• Jules Olitski 1922-2007
  by David Ebony
• Aldrich Contemporary Art Museum
• What price posterity?
  by Stephanie Cash
• Religion, law, commerce, art: in a city-state known for its materialism, the first Singapore Biennale addressed both the spiritual and secular foundations of society
  by Felicity Fenner

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