Art in America

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Articles in May, 2004 issue of Art in America

• Reason and spirit, Diller + Scofidio
  by Ron Pompei
• Edgy Armory Show in the spotlight
  by David Ebony
• Mortal coils: a large survey of Kiki Smith's prints and multiples at the Museum of Modern Art showed the vital role collaboration has played in her multifaceted career
  by Faye Hirsch
• Glenn Ligon at D'Amelio Terras
  by Barbara Pollack
• Edward Burtynsky at Charles Cowles
  by Tom McDonough
• Karen Finley at the Kitchen
  by Carey Lovelace
• Walter Anderson at Luise Ross
  by Nathan Kernan
• Stella Lai at Lizabeth Oliveria
  by Melissa E. Feldman
• LACMA revives expansion plans, thanks to Broad
• Zaha Hadid wins Pritzker
• Drawn to dance: since the 1960s, dancer and choreographer Trisha Brown has repeatedly called upon artists to create sets and costumes for her performances
  by Edward Leffingwell
• Dove Bradshaw: between science and poetry: both technical and artistic explanations attach to this New York artist's process works, which are perhaps most deeply influenced by John Cage's engagement with change and chance
  by Janet Koplos
• Gudrun Mertes-Frady at Rosenberg + Kaufman
  by Edward Leffingwell
• Thordis Adalsteinsdottir at Stefan Stux
  by Gregory Volk
• Lynn Geesaman at Thomas Barry
  by Michael Fallon
• Art services
• Jenny Saville and the C-word
  by Glenn M. Corey
• The Cairo effect: during the 9th Cairo Biennale a striking contrast prevailed between the staid official event and several livelier satellite exhibitions
  by Lilly Wei
• Line readings: Arshile Gorky's drawings: an acknowledged pioneer of Abstract-Expressionist painting, Gorky was also a dedicated draftsman. His remarkably vigorous graphic oeuvre, encompassing independent works and preparatory studies, is the focus of a mu
  by Nancy Princenthal
• Momoyo Torimitsu at Deitch Projects and the Swiss Institute
  by Paul Laster
• Paula Hayes at Salon 94
  by Jonathan Goodman
• Fletcher Benton at Neuhoff
  by Michael Amy
• Michael Joo at MIT List Visual Arts Center
  by Ann Wilson Lloyd
• "In-A-Gadda-Da-Vida" at "Tate Britain
  by David Ebony
• Asia Society promotes director
• Preserving the Barnes
  by Nancy Herman
• Britain's 9/11 memorial for NYC
  by Stephanie Cash
• In Mockbee's memory: a traveling show about the late architect Samuel Mockbee and his visionary Rural Studio program comes this month to Washington's National Building Museum
  by Daniel Belasco
• Robert Cottingham at Forum and Dieu Donne Papermill
  by Faye Hirsch
• Andrea Stern at Ricco/Maresca
  by Carl Little
• Theresa Chong at Danese
  by Edward Leffingwell
• Vincent Geyskens at Thomas Erben
  by Max Henry
• Catherine Opie at Regen Projects
  by Sarah Valdez
• Obituaries
• Reading Gay Block's mind?
  by Alexis Terry
• The mastery of Matisse
  by Sheldon Nodelman
• Zucker's color constructions: perhaps best known for his paint-soaked cotton-ball works of the 1970s, Joe Zucker continues to invent new ways of "building" a painting. Three recent gallery, shows revealed him at his most spirited
  by Stephen Westfall
• Ward Shelley at Pierogi
  by Sarah Schmerler
• Ron Nagle at Garth Clark
  by Janet Koplos
• Janet Malcolm at Lori Bookstein
  by Sue Taylor
• Domingo Barreres at White Box
  by Edward Leffingwell
• Frederick Hayes at Patricia Sweetow
  by Mark Van Proyen
• WPS1 debuts
• Millennium Park to open in Chicago
  by Stephanie Cash
• Art above the city: located atop a skyscraper, the Mori Art Museum opened with a thematic show of works from East and West, past and present
  by Barbara Pollack
• Toland Grinnell at Mary Boone
  by Eleanor Heartney
• Milena Dopitova at Ronald Feldman
  by David Ebony
• Anna Pedersen at Schroeder Romero
  by Jessica Ostrower
• Margaret Grimes at Blue Mountain
  by P.C. Smith
• Earl Stroh and Tony Magar at Harwood Museum of Art
  by T.M. Collins
• Awards & grants
• Corrections
• Portrait of an architect: in a subtle and sensitive documentary, Louis Kahn's son chronicles his search for the architect-father he never really knew
  by Joseph Giovannini
• A house of parts: admiration for the resourcefulness shown by the beleaguered populations of overcrowded communities shapes Marjetica Potrc's major new work and the traveling exhibition that showcases it
  by Eleanor Heartney
• Jeff Koons at Sonnabend
  by Eleanor Heartney
• Lisa Capone at Kristen Frederickson
  by Sue Taylor
• Jerome Powers at Margaret Thatcher Projects
  by Michael Amy
• Barry X Ball at Mario Diacono at Ars Libri
  by Ann Wilson Lloyd
• Txomin Badiola at Soledad Lorenzo
  by Terry Berne
• Beijing's new art district holds fest
  by Richard Vine
• Guston and Dylan, tangled up in blue
  by Jon Imber
• Studio program seeks support
• Costantino Nivola: public and private: a selection of Nivola's sculptures, soon to leave the U.S. for a permanent home in a museum devoted to the artist in Sardinia, provided a rare overview of his work at the Parrish Museum
  by Paul Brach
• Tracy Miller at Feature
  by Nathan Kernan
• Joel Sternfeld at Luhring Augustine
  by Michael Amy
• Alfredo Martinez at the proposition
  by Sarah Valdez
• Carol K. Brown at Nohra Haime
  by Michael Amy
• Michael C. McMillen at L.A. Louver
  by Leah Ollman
• Milton Resnick, 1917-2004
  by Nathan Kernan
• Hermitage Amsterdam debuts
• Howtan
  by Achille Bonito Oliva
• Alabama assemblage: last summer, in the walled garden of the Birmingham Museum of Art, Lonnie Holley turned a dumpster full of junk into dozens of striking sculptures. These works remain on view through May
  by Raphael Rubinstein
• Peter Saul at George Adams and Nolan/Eckman
  by Eleanor Heartney
• Jane Schneider at June Kelly
  by Jonathan Goodman
• Chie Fueki at Bill Maynes
  by Matthew Guy Nichols
• Neil Goodman at Klein Art Works
  by Victor Cassidy
• Serkan Ozkaya at Galerist
  by Lilly Wei
• Charles Esche has been appointed director of the Van Abbemuseum in Eindhoven the Netherlands
• Museums team up for new art
• Diaspora and its quandaries: Frederic Brenner's 25-year odyssey took him from Jerusalem to Manaus, Tajikistan, Johannesburg and Las Vegas, to make photographic portraits of Jews, mostly in groups
  by Max Kozloff

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