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Peter Dailey "The dealer king". Art in America. FindArticles.com. 31 Dec, 2009. http://findarticles.com/p/articles/mi_m1248/is_6_93/ai_n13813110/
Art in America
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Articles in June-July, 2005 issue of Art in America
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Thomas Struth at Marian Goodman
by Edward Leffingwell -
Harriet Shorr at Cheryl Pelavin
by Nathan Kernan -
James Nelson at McKenzie
by Stephanie Maine -
Sherman Drexler at Mitchell Algus
by Daniel Belasco -
Mark Staff Brandl at Tony Wuethrich
by Judith Trepp - Obituaries
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Tales of bohemian glory: the tumultuous, influential East Village art scene of the 1980s was the subject of a recent exhibition at the New Museum of Contemporary Art
by Sarah Valdez -
Carla Accardi: a desire for contradiction: a founding member of Italy's postwar avant-garde and a vital presence during the six decades since, Carla Accardi is highly regarded in Europe yet little known in the States. A show at New York's Sperone Westwate
by Marcia E. Vetrocq -
Art center opens in Shanghai
by Lisa Movius -
Ronald Bladen at Danese
by Stephen Westfall -
Leigh Bowery at Perry Rubenstein
by Edward Leffingwell -
Charles Matton at Forum
by Steven Vincent -
Peter Plagens at Fisher Gallery, USC
by Michael Duncan - Hood Museum of Art
- 2005 Guggenheim Fellowships
- Summer reading
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Santa Fe: summer preview
by Sarah S. King -
The real simulations of Thomas Demand: a sculptor by training and inclination, Thomas Demand uses photography to record his three-dimensional tableaux, which are based on found, often historically loaded, photos. The tableaux are then destroyed. His pictu
by Pepe Karmel -
Damien Hirst at Gagosian
by Eleanor Heartney -
Miquel Barcelo at C&M Arts
by Brian Boucher -
Michael Waugh at Schroeder Romero
by Calvin Reid -
Richard Pettibone at Leo Castelli
by Jonathan Gilmore -
Mary Henry at the Hallie Ford Museum
by Sue Taylor - Texas Christian University
- The Ukrainian Museum recently debuted on East 6th Street in New York's East Village, an area that, over the years, has been home to a large number of Ukrainian immigrants
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Zheng Guogu at Vitamin Creative Space
by Christopher Phillips -
Return to the real? A youth-oriented survey at P.S.1 presents work, much of it politically aware, by 160 New York City artists who have emerged since the millennium
by Eleanor Heartney -
Figuring the new Germany: close on the heels of Leipzig native Neo Rauch, younger artists from the eastern German city are garnering critical attention. Two private collections on view in the U.S. spotlight this school representational painting
by Gregory Volk -
"Regarding Terror" at Kunst-Werke
by Mark Gisbourne -
Martin Kippenberger at Luhring Augustine, Gagosian and Nyehaus
by Stephen Maine -
Mary Heilman at 303
by Joe Fyfe -
Jun Nguyen-Hatsushiba at Lehmann Maupin
by Edward Leffingwell -
Albert Oehlen at Skarstedt
by Edward Leffingwell -
Katharina Grosse at Christopher Grimes
by Susan Emerling - New-York Historical Society
- The Museum of Modern Art in New York recently announced that chairman emeritus David Rockefeller has pledged $100 million toward the museum's endowment, the largest cash gift in its history
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Robert Gutierrez at Irvine Contemporary Art
by Sidney Lawrence -
The museum of the Third Kind: in which the author envisions new directions for the art museum as audiences change, architecture evolves, institutions subdivide and electronic resources expand our capabilities and expectations
by Douglas Davis -
Seductive cipher: the first U.S. museum show for Katharina Sieverding centered on multiple self-portraits whose large scale and exaggerated glamour offer a wry critique of consumerist image manufacture
by David Ebony -
Thomas Ruff at David Zwirner
by Eleanor Heartney -
Dana Schutz at Zach Feuer
by Eleanor Heartney -
Betsy Kaufman at Leslie Tonkonow
by Matthew Guy Nichols -
Pat Adams at Zabriskie
by Edward Leffingwell -
Eric Dalbis at Galerie Liberal Bruant
by Paul Franklin - Institute of Contemporary Arts
- Stadelsche Kunstinstitut
- NY galleries
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Glittering gardens: in his paintings on antique Japanese screens and sliding doors, veteran Pattern and Decoration artist Robert Kushner brings a high degree of opulence to a melange of Eastern and Western influences
by Edward M. Gomez - New foundation for creativity
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Magnus von Plessen at Barbara Gladstone
by Edward Leffingwell -
Tracy + The Plastics with Fawn Krieger at the Kitchen
by Leigh Anne Miller -
Cornelia Renz at Goff + Rosenthal
by Steven Vincent -
Ronald Slowinski at Canfield
by Sarah S. King - Peter Reed
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New art fair for Sao Paulo
by Edward Leffingwell -
The dealer king
by Peter Dailey - Art sale at the NY Public Library
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Building for art: the current wave of museum construction in Germany, which rivals that of the go-go '80s, is providing design opportunities for architects and opening previously inaccessible collections to viewers
by David Galloway -
Jose Manuel Ballester at the Palacio Velazquez
by Terry Berne -
A.R. Penck at Michael Werner
by Jonathan Gilmore -
Catherine Murphy at Lennon, Weinberg
by Faye Hirsch -
Lu Shengzhong at Chambers Fine Art
by Edward M. Gomez -
Scott Kahn at Katharina Rich Perlow and Arthur Ross
by David Cohen -
Marina Karella at the Benaki Museum's Annex
by Charles Ruas -
Eduardo Paolozzi, 1924-2005
by Faye Hirsch -
Malick Sidibe and Emile Guebehi at Jack Shainman
by Michael Amy -
Through a Chinese lens: the city's first-ever international photo biennial elevated personal vision over collectivist esthetics
by Richard Vine -
A serious game: Miguel Angel Rios's latest video is at once a piece of abstract choreography and a dramatic meditation on the uncertainty and brevity of human life. The piece is currently on view at museums in Miami and Washington, D.C
by Raphael Rubinstein -
Taiwan's new Bunker Museum
by Richard Vine -
Yoan Capote at George Adams
by Eleanor Heartney -
Mark Cohen at Bruce Silverstein
by Jean Dykstra -
Jutta Koether at Thomas Erben
by Edward Leffingwell -
James Drake at SITE Santa Fe
by Arden Reed - Baltic Centre for Contemporary Art
- Curator for SITE Santa Fe Biennial
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Maciunus Opera premieres
by Raphael Rubinstein -
Of politics and painting: in the first installment of a two-part conversation, the artist looks back on his eventful early careerstudent days, learning from Beuys, Maoist and Green Party activism, clandestine visits to East Germany, the genesis of t
by Robert Storr -
Jill Slosburg-Ackerman at Judy Ann Goldman
by Ann Wilson Lloyd -
Anette Ziss at Werner Klein
by Gerard McCarthy -
Jon Isherwood at John Davis
by Karen Wilkin
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