Bibliography for: "The real simulations of Thomas Demand: a sculptor by training and inclination, Thomas Demand uses photography to record his three-dimensional tableaux, which are based on found, often historically loaded, photos. The tableaux are then destroyed. His pictures were just shown at MOMA"

Pepe Karmel "The real simulations of Thomas Demand: a sculptor by training and inclination, Thomas Demand uses photography to record his three-dimensional tableaux, which are based on found, often historically loaded, photos. The tableaux are then destroyed. His pictures were just shown at MOMA". Art in America. FindArticles.com. 17 Dec, 2009. http://findarticles.com/p/articles/mi_m1248/is_6_93/ai_n13822301/

Art in America

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Articles in June-July, 2005 issue of Art in America

• Thomas Struth at Marian Goodman
  by Edward Leffingwell
• Harriet Shorr at Cheryl Pelavin
  by Nathan Kernan
• James Nelson at McKenzie
  by Stephanie Maine
• Sherman Drexler at Mitchell Algus
  by Daniel Belasco
• Mark Staff Brandl at Tony Wuethrich
  by Judith Trepp
• Obituaries
• Tales of bohemian glory: the tumultuous, influential East Village art scene of the 1980s was the subject of a recent exhibition at the New Museum of Contemporary Art
  by Sarah Valdez
• Carla Accardi: a desire for contradiction: a founding member of Italy's postwar avant-garde and a vital presence during the six decades since, Carla Accardi is highly regarded in Europe yet little known in the States. A show at New York's Sperone Westwate
  by Marcia E. Vetrocq
• Art center opens in Shanghai
  by Lisa Movius
• Ronald Bladen at Danese
  by Stephen Westfall
• Leigh Bowery at Perry Rubenstein
  by Edward Leffingwell
• Charles Matton at Forum
  by Steven Vincent
• Peter Plagens at Fisher Gallery, USC
  by Michael Duncan
• Hood Museum of Art
• 2005 Guggenheim Fellowships
• Summer reading
• Santa Fe: summer preview
  by Sarah S. King
• The real simulations of Thomas Demand: a sculptor by training and inclination, Thomas Demand uses photography to record his three-dimensional tableaux, which are based on found, often historically loaded, photos. The tableaux are then destroyed. His pictu
  by Pepe Karmel
• Damien Hirst at Gagosian
  by Eleanor Heartney
• Miquel Barcelo at C&M Arts
  by Brian Boucher
• Michael Waugh at Schroeder Romero
  by Calvin Reid
• Richard Pettibone at Leo Castelli
  by Jonathan Gilmore
• Mary Henry at the Hallie Ford Museum
  by Sue Taylor
• Texas Christian University
• The Ukrainian Museum recently debuted on East 6th Street in New York's East Village, an area that, over the years, has been home to a large number of Ukrainian immigrants
• Zheng Guogu at Vitamin Creative Space
  by Christopher Phillips
• Return to the real? A youth-oriented survey at P.S.1 presents work, much of it politically aware, by 160 New York City artists who have emerged since the millennium
  by Eleanor Heartney
• Figuring the new Germany: close on the heels of Leipzig native Neo Rauch, younger artists from the eastern German city are garnering critical attention. Two private collections on view in the U.S. spotlight this school representational painting
  by Gregory Volk
• "Regarding Terror" at Kunst-Werke
  by Mark Gisbourne
• Martin Kippenberger at Luhring Augustine, Gagosian and Nyehaus
  by Stephen Maine
• Mary Heilman at 303
  by Joe Fyfe
• Jun Nguyen-Hatsushiba at Lehmann Maupin
  by Edward Leffingwell
• Albert Oehlen at Skarstedt
  by Edward Leffingwell
• Katharina Grosse at Christopher Grimes
  by Susan Emerling
• New-York Historical Society
• The Museum of Modern Art in New York recently announced that chairman emeritus David Rockefeller has pledged $100 million toward the museum's endowment, the largest cash gift in its history
• Robert Gutierrez at Irvine Contemporary Art
  by Sidney Lawrence
• The museum of the Third Kind: in which the author envisions new directions for the art museum as audiences change, architecture evolves, institutions subdivide and electronic resources expand our capabilities and expectations
  by Douglas Davis
• Seductive cipher: the first U.S. museum show for Katharina Sieverding centered on multiple self-portraits whose large scale and exaggerated glamour offer a wry critique of consumerist image manufacture
  by David Ebony
• Thomas Ruff at David Zwirner
  by Eleanor Heartney
• Dana Schutz at Zach Feuer
  by Eleanor Heartney
• Betsy Kaufman at Leslie Tonkonow
  by Matthew Guy Nichols
• Pat Adams at Zabriskie
  by Edward Leffingwell
• Eric Dalbis at Galerie Liberal Bruant
  by Paul Franklin
• Institute of Contemporary Arts
• Stadelsche Kunstinstitut
• NY galleries
• Glittering gardens: in his paintings on antique Japanese screens and sliding doors, veteran Pattern and Decoration artist Robert Kushner brings a high degree of opulence to a melange of Eastern and Western influences
  by Edward M. Gomez
• New foundation for creativity
• Magnus von Plessen at Barbara Gladstone
  by Edward Leffingwell
• Tracy + The Plastics with Fawn Krieger at the Kitchen
  by Leigh Anne Miller
• Cornelia Renz at Goff + Rosenthal
  by Steven Vincent
• Ronald Slowinski at Canfield
  by Sarah S. King
• Peter Reed
• New art fair for Sao Paulo
  by Edward Leffingwell
• The dealer king
  by Peter Dailey
• Art sale at the NY Public Library
• Building for art: the current wave of museum construction in Germany, which rivals that of the go-go '80s, is providing design opportunities for architects and opening previously inaccessible collections to viewers
  by David Galloway
• Jose Manuel Ballester at the Palacio Velazquez
  by Terry Berne
• A.R. Penck at Michael Werner
  by Jonathan Gilmore
• Catherine Murphy at Lennon, Weinberg
  by Faye Hirsch
• Lu Shengzhong at Chambers Fine Art
  by Edward M. Gomez
• Scott Kahn at Katharina Rich Perlow and Arthur Ross
  by David Cohen
• Marina Karella at the Benaki Museum's Annex
  by Charles Ruas
• Eduardo Paolozzi, 1924-2005
  by Faye Hirsch
• Malick Sidibe and Emile Guebehi at Jack Shainman
  by Michael Amy
• Through a Chinese lens: the city's first-ever international photo biennial elevated personal vision over collectivist esthetics
  by Richard Vine
• A serious game: Miguel Angel Rios's latest video is at once a piece of abstract choreography and a dramatic meditation on the uncertainty and brevity of human life. The piece is currently on view at museums in Miami and Washington, D.C
  by Raphael Rubinstein
• Taiwan's new Bunker Museum
  by Richard Vine
• Yoan Capote at George Adams
  by Eleanor Heartney
• Mark Cohen at Bruce Silverstein
  by Jean Dykstra
• Jutta Koether at Thomas Erben
  by Edward Leffingwell
• James Drake at SITE Santa Fe
  by Arden Reed
• Baltic Centre for Contemporary Art
• Curator for SITE Santa Fe Biennial
• Maciunus Opera premieres
  by Raphael Rubinstein
• Of politics and painting: in the first installment of a two-part conversation, the artist looks back on his eventful early career—student days, learning from Beuys, Maoist and Green Party activism, clandestine visits to East Germany, the genesis of t
  by Robert Storr
• Jill Slosburg-Ackerman at Judy Ann Goldman
  by Ann Wilson Lloyd
• Anette Ziss at Werner Klein
  by Gerard McCarthy
• Jon Isherwood at John Davis
  by Karen Wilkin

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