Bibliography for: "Point of view: the atrium that ate the Morgan"

Lee Rosenbaum "Point of view: the atrium that ate the Morgan". Art in America. FindArticles.com. 05 Dec, 2009. http://findarticles.com/p/articles/mi_m1248/is_6_94/ai_n16533157/

Art in America

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Articles in June-July, 2006 issue of Art in America

• Artists compete for U.S. Asylum
  by Leigh Anne Miller
• Blake sale falls flat
  by Faye Hirsch
• The Dada diffusion
  by Jori Finkel
• Heartfield's photo-Grenades: during the European interwar period, German artist John Heartfield used satirical photomontage—mass-reproduced in newspapers and on posters—to battle the forces of reaction and hypocrisy. A current show at the Getty
  by Sue Taylor
• Holli Schorno at Pavel Zoubok
  by Edward Leffingwell
• Matthew Higgs at Murray Guy
  by David Coggins
• Carolee Schneemann at P.P.O.W
  by Sarah Valdez
• White noise, in seven-part harmony: an international and intergenerational exhibition of sound art staged in New York honored the "Manifesto Bianco" of Emilio Prini, one of Arte Povera's cagier principals
  by Marcia E. Vetrocq
• Sherrie Levine at Paula Cooper
  by Edward Leffingwell
• Bruno Peinado at Parker's Box and the Swiss Institute
  by Constance Wyndham
• Steve Tobin at OK Harris
  by Edward Leffingwell
• Christopher Leitch at Jan Weiner
  by Alice Thorson
• Art services
• Knoxville Museum of Art
• Siah Armajani at Weinstein
  by Robert Silberman
• L.A. artist Mark Bradford is the winner of the 2006 Bucksbaum Award, given by the Whitney Museum in New York
• Pritzker Prize to Mendes da Rocha
• Marjorie Welish and Olivier Gourvil at the Slought Foundation
  by Joe Fyfe
• Armin Linke at Massimo de Carlo
  by Angelo Capasso
• Greek trouble for Getty curator
• Minneapolis building boom
  by Janet Koplos
• Allan Kaprow, 1927-2006
  by David Antin
• Marcel Duchamp Curates Dada: the author recalls a legendary exhibition of international Dada a half-century ago, structured city by city, at his family's New York gallery
  by Carroll Janis
• Fred Wilson at PaceWildenstein
  by Eleanor Heartney
• "Ashes to Art" at Pomegranate
  by Cathy Lebowitz
• Pentti Sammallahti and Alexey Titarenko at Candace Dwan and Nailya Alexander
  by Edward Leffingwell
• New milestones at Maastricht
  by David Ebony
• Dada lives: the subject of an appropriately shape-shifting exhibition seen in Paris, Washington and now New York, Dada wasprod the 20th century's most all-inclusive and far-reaching art movement, rejecting nothing, no matter how vulgar, provocative or ins
  by Charles Stuckey
• Tara Donovan at PaceWildenstein
  by Edward Leffingwell
• Richard Pettibone at Leo Castelli
  by Eleanor Heartney
• Solange Fabiao in Chinatown
  by Gregory Volk
• The real world
  by Constance Wyndham
• In defense of Burning Man: the controversial, anarchic arts festival, held every summer in the Nevada desert, is now in its 20th year
  by Anthony Haden-Guest
• Muehl's new "material actions": the first U.S. solo of veteran Viennese Actionist Otto Muehl leads the author to discuss innovation and tradition, performance and behavior, art and dirt
  by Stephen Maine
• Joseph Grigely at Cohan and Leslie
  by Eleanor Heartney
• Michael Borremans at David Zwirner
  by David Coggins
• Burt Barr at Sikkema Jenkins
  by Eleanor Heartney
• Hector Ruiz at the Heard Museum
  by Janet Koplos
• The American Academy in Rome announced the Rome Prize winners for 2006-07
• Group Exhibitions at Mary Boone
  by Edward Leffingwell
• Gerard Traquandi at Galerie Laurent Godin
  by Joe Fyfe
• Smithsonian deal stirs controversy
  by Stephanie Cash
• What rhymes with Dada
• Temporary Services and Angelo at I space
  by Susan Snodgrass
• Bettina Pousttchi at Buchmann
  by Cathy Lebowitz
• Artists Space
• Frank Stella at the Sackler Museum, Harvard University
  by Michael Amy
• Watermill Center expands
  by Brian Boucher
• Madison avenue ennui: after visiting the latest Whitney Biennial, a critic offers suggestions for substantial reforms of the show's format
  by Peter Plagens
• Ben's spontaneous mind: since the late 1950s, French artist Ben Vautier has been offering a continuous flow of ideas through text paintings, installations, performances and conceptual art
  by Raphael Rubinstein
• Al Hansen at Andrea Rosen
  by Edward Leffingwell
• Robert Attanasio at Jim Kempner
  by Carey Lovelace
• Fabric Workshop and Museum
• The great outdoors
  by Nancy Princenthal
• Dreier the painter: Katherine Dreier is best known as a patron and promoter of early modernism, but she was also an artist in her own right
  by John Angeline
• The body of the text: nudes and fighter planes are the subjects of three recent exhibitions by Fiona Banner, whose new work translates life drawing into prose and newsprint photos into neon
  by Nancy Princenthal
• Cy Twombly at Gagosian
  by Stephen Maine
• Alvin Loving at Kenkeleba House
  by Thomas McEvilley
• Santa Fe summer preview
  by Sarah S. King
• Neal Slavin at photographs do not bend
  by Charles Dee Mitchell
• The Smithsonian American Art Museum presented its 2006 Lucelia Artist Award, worth $25,000, to Matthew Coolidge, founder and director of the Center for Land Use Interpretation
• Guggenheim Awards for 2006
• Art checks into Kentucky
  by Leigh Anne Miller
• Our man in Havana: Robert Mapplethorpe: when Havana's Fototeca mounted a show of Mapplethorpe's photographs this winter, it was such a hit with the general public that its run had to be extended by nearly a month
  by Steven C. Dubin
• Anne Deleporte at Roebling Hall
  by David Ebony
• Jack Pierson at Cheim & Read
  by Jonathan Gilmore
• Susan Wides at Kim Foster
  by David Ebony
• Peregrine Honig at JET artworks
  by Leigh Anne Miller
• Spinning the Web at the Museum fur Moderne Kunst
  by Ulf Erdmann Ziegler
• Warhol grants for Art Writing
• Kathleen Gilje at Francis Naumann
  by Eleanor Heartney
• Richard Artschwager at Gagosian
  by Stephen Maine
• Claude Closky recently won the Prix Marcel Duchcamp, given to an artist living in France by the Centre Pompidou and Association for the International Diffusion of French Art
• Corrections
• Point of view: the atrium that ate the Morgan
  by Lee Rosenbaum
• When bad was good: the art scene of downtown Manhattan ca. 1974-1984 is resurrected in a show that originated in New York and is now in Pittsburgh
  by Raphael Rubinstein
• Machines & marriage Eva Hesse and Tom Doyle in Germany, 1964-65: a brief but significant transitional phase in the work of both artists is examined in the light of their reciprocal influences and exposure to Dada during a European interlude
  by Kirsten Swenson
• Brian Alfred at Mary Boone
  by Brian Boucher
• Sally Smart at Postmasters
  by Eleanor Heartney
• The Garden Party at Deitch Projects
  by Edward Leffingwell

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