Bibliography for: "Moving pictures: structurally complex and narratively engaging, Jon Kessler's new multimedia sculptures often deliver an emotional punch beyond their humble means"

Stephanie Cash "Moving pictures: structurally complex and narratively engaging, Jon Kessler's new multimedia sculptures often deliver an emotional punch beyond their humble means". Art in America. FindArticles.com. 19 Dec, 2009. http://findarticles.com/p/articles/mi_m1248/is_9_92/ai_n6230178/

Art in America

View more issues:

Articles in Oct, 2004 issue of Art in America

• The real McCoy
  by Archie Rand
• Robert Beauchamp at David Findlay Jr
  by Jonathan Gilmore
• Alexis Smith at Artemis Greenber Van Doren
  by Edward Leffingwell
• MacDowell Colony
• Alexander Liberman at Ameringer & Yohe
  by Jonathan Gilmore
• Kerry James Marshall at the Museum of Contemporary Art
  by Susan Snodgrass
• Alex Hanimann and Marlene McCarty at the Kunsthalle
  by Mark Staff Brandl
• The Thyssen-Bornemisza Museum in Madrid recently unveiled its new $46-million expansion
• Akron Museum expansion on track
• Erick Swenson at James Cohan
  by Edward Leffingwell
• Jack Risley at Postmasters
  by Nancy Princethal
• Art schools directory
• Tim Prentice at Maxwell Davidson
  by Michael Amy
• Juan Granados at Bryan Ohno
  by Matthew Kangas
• Victoria & Albert Museum
• Flirtations with evidence: the factual and the spurious consort in the works of The Atlas Group/Walid Raad. Using the conventions of information-based art, Raad questions the reliability of documentation in general. His projects, which take as their theme
  by Janet A. Kaplan
• Creative Time's free speech zone
  by David Ebony
• Farber on Farber: in his more than 50 years as a film critic and painter, Manny Farber has brought an essentially autobiographical sensibility to bear on a wide range of visual idioms, from process-driven abstractions to rebuslike figurative studies. Here
  by Leah Ollman
• Santu Mofokeng at David Krut Projects
  by Edward Leffingwell
• Laurie Simmons at Sperone Westwater
  by Edward Leffingwell
• Rhode Island School of Design
• Crisis at the U.S. pavilion
  by Marcia E. Vetrocq
• Venice Biennale makeover
  by Marcia E. Vetrocq
• Harriet Korman at Lennon, Weinberg
  by Faye Hirsch
• Jack Mims at McKinney Avenue Contemporary
  by Charles Dee Mitchell
• Henri Cartier-Bresson, 1908-2004
  by David Ebony
• Graphic art in the summer of discontent: the 2004 election has attracted artists in numbers not seen for a generation. Their designs give progressive politics a distinct visibility
  by Faye Hirsch
• No happy ending for California Arts
• Musings on museums
  by Lee Rosenbaum
• Kendell Geers at Salon 94
  by Nathan Kernan
• Glenn Brown at Gagosian
  by David Ebony
• American Folk Art Museum
• Peter Wegner at the Bohen Foundation
  by Matthew Guy Nichols
• Alec Soth at Wohnmaschine
  by Christopher Phillips
• Alfred University
• The Rolex Mentor and Protege Arts Initiative
• Willem de Kooning at Gagosian, Mitchell-Innes & Nash, and Richard Gray
  by Stephen Westfall
• Latin American modern: an ambitious exhibition at the Museum of Fine Arts examined major themes in Latin America's midcentury avant-garde
  by Edward Leffingwell
• Willie Doherty at Alexander and Bonin
  by Edward Leffingwell
• Hilary Harkness at Mary Boone
  by Sarah Valdez
• Moore College of Art & Design
• Political art in election season
  by Cathy Lebowitz
• Rachel Howard at the Bohen Foundation
  by Joe Fyfe
• Robert Chambers at Laumeier Sculpture Park
  by David Bonetti
• Obituaries
• A war and its images: as photographs and films dealing with the Iraq War become the subject of partisan debate, the author considers their ethical and historical context
  by Eleanor Heartney
• The Orange County Museum of Art recently inaugurated a new media space in Costa Mesa, Calif
• Leon Golub
  by Raphael Rubinstein
• Jan Mancuska at Andrew Kreps
  by Sarah Schmerler
• John Duff at Knoedler
  by Nathan Kernan
• Art services directory
• John McCracken at David Zwirner
  by Edward Leffingwell
• J.C.J. Vanderheyden at the Van Abbemuseum
  by David Ebony
• The Bellevue Art Museum
• Studio program saved, again
• A flatland of forms: Thomas Nozkowski's abstract paintings have long been characterized by their small scale and use of eccentric shapes against variegated grounds. His work was recently the subject of a trio of shows in the U.S. and Britain
  by Cary Levine
• Martin Kline at Jason McCoy
  by Edward Leffingwell
• Mia Enell at Luxe
  by Michael Amy
• Center for Curatorial Studies at Bard College
• Four finalists picked for High Line
  by David Ebony
• Luis Gonzalez Palma at Lisa Sette
  by Rebecca Dimling Cochran
• Philip Kwame Apagya at Jack Shainman
  by Charles Dee Mitchell
• Dan Collins at the Tucson Museum of Art
  by Deborah Sussman Susser
• Art show at old TWA terminal
• The luminous continent: the revelatory power of images—whether from high-art sources or elsewhere—marked the most recent biennial of African photography in Bamako
  by Richard Vine
• Still cache goes to Denver
• Artschwager pinxit: though inspired by photographs and rendered on commercial construction board, Richard Artschwager's paintings reflect an acute awareness of art history. A survey honoring the artist on his 80th birthday sampled the conceptual and techn
  by Roni Feinstein
• Haim Steinbach at Sonnabend
  by Edward Leffingwell
• Sabine Friesicke at Robert Steele
  by Michael Amy
• American Federation of Arts
• Art research: a digital future?
  by Stephanie Cash
• Andrea Robbins and Max Becher at Sonnabend
  by Eva Diaz
• Spandau Parks at Anna Helwing
  by Constance Mallinson
• Stedelijk Museum in Amsterdam
• Northern lights: in installations that variously involve light, color, geometry movement and more, Olafur Eliasson nudges the participant-viewer into an ambient perceptual awareness
  by Carol Diehl
• Munch's Madonna and Scream stolen
• NY galleries
• Jean Shin at Frederieke Taylor
  by Susan Harris
• Four Americans at Marlborough Chelsea
  by Edward Leffingwell
• Harry N. Abrams, Inc

• 1
• 2