20th century AD

Art in America, Jan, 1995 by Barry Schwabsky

(1.)Roger Shattuck, The Banquet Years: The Origins of the Avant-Garde in France 1885 to World War I, revised ed., New York, Vintage, 1968, p. 34. This remains the best general introduction to Jarry and his milieu. See also Selected Works of Alfred Jarry, ed. by Roger Shattuck and Simon Watson Taylor, New York, Grove Press, 1965.

(2.)Stephen Berg, "Framed Faces, Infinite White," in Tom Chimes, A Compendium: 1961-1986, Philadelphia, Goldie Paley Gallery, Moore College of Art, 1986, p. 14.

(3.)Eileen Berger, "A Conversation with Tom Chimes," Arts Exchange, March/April 1978, p. 26.

(4.)Jane Livingston, Thomas Chimes: The Hermes Cycle-Paintings, Philadelphia, Locks Gallery, 1992, unpaginated.

(5.)Frances A. Yates, The Art of Memory, University of Chicago Press, 1966; Theatre of the World, University of Chicago Press, 1969.

(6.)"A Conversation with Thomas Chimes and Marian Locks," Thomas Chimes, Philadelphia, Marian Locks Gallery, 1990, unpaginated.