Art in America

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Articles in May, 1994 issue of Art in America

• Reflected narratives - artist Roy Lichtenstein; traveling exhibition
  by Richard Kalina
• Steve Currie at Grace Borgenicht - New York, New York - Review of Exhibitions
  by George Melrod
• Jim Hodges at CRG Art - New York, New York - Review of Exhibitions
  by Reagan Upshaw
• David Row at John Good - New York, New York - Review of Exhibitions
  by Richard Kalina
• Diller & Scofidio at Richard Anderson - Elizabeth Diller and Ricardo Scofidio - New York, New York - Review of Exhibitions
  by P.C. Smith
• Paterson Ewen at Paolo Baldacci - New York, New York - Review of Exhibitions
  by Lilly Wei
• Oliver Herring at Max Protech - New York, New York - Review of Exhibitions
  by Janet Koplos
• Thomas Lanigan-Schmidt at Holly Solomon - New York, New York - Review of Exhibitions
  by Stephen Westfall
• Hilary Daley-Hynes at Franz Bader - Washington, D.C - Review of Exhibitions
  by J.W. Mahoney
• Jeffry Mitchell at Greg Kucera - Seattle, Washington - Review of Exhibitions
  by Matthew Kangas
• Malcolm X: the artists' view - Institute of Contemporary Art, Boston, Massachusetts
  by Ann Wilson Lloyd
• 17th century AD
  by Debra Bricker Balken
• Katie Merz at Jack Tilton - New York, New York - Review of Exhibitions
  by Ingrid Shaffner
• David Salle at Mary Boone and Gagosian - New York, New York - Review of Exhibitions
  by Ken Johnson
• Stephanie Rose at E.M. Donahue - New York, New York - Review of Exhibitions
  by Brooks Adams
• Carolyn Martin at A.I.R - New York, New York - Review of Exhibitions
  by Robert G. Edelman
• Nicola Tyson at Trial Balloon - New York, New York - Review of Exhibitions
  by Jerry Saltz
• Tobi Kahn at Mary Ryan - New York, New York - Review of Exhibitions
  by Janet Koplos
• Olivier Richon at Jack Shainman - New York, New York - Review of Exhibitions
  by Richard Vine
• Erik Otsea at Jan Kesner - Los Angeles, California - Review of Exhibitions
  by Michael Duncan
• The Invention of Pornography: Obscenity and the Origins of Modernity, 1500-1800. - book reviews
  by Wendy Steiner
• Beyond the looking glass - Dan Graham, installation art, Nouveau Musee, Lyons, France
  by Claude Gintz
• Willie Cole at Brooke Alexander - New York, New York - Review of Exhibitions
  by Reagan Upshaw
• Lucio Munoz at Marlborough - New York, New York - Review of Exhibitions
  by David Ebony
• Thornton Willis at Andre Zarre - New York, New York - Review of Exhibitions
  by Ann Wilson Lloyd
• Walton Ford at Nicole Klagsbrun - New York, New York - Review of Exhibitions
  by Sarah Bayliss
• Jamie Dalglish at O.K. Harris - New York, New York - Review of Exhibitions
  by Lilly Wei
• Joan Fontcuberta at Zabriskie - New York, New York - Review of Exhibitions
  by Alisa Tager
• George Dokoupil at Tony Shafrazi - New York, New York - Review of Exhibitions
  by Reagan Upshaw
• Nina Levy at Peter Miller - Chicago, Illinois - Review of Exhibitions
  by Susan Snodgrass
• Jeffrey Vallance at Emi Fontana - Milan, Italy - Review of Exhibitions
  by Michael Duncan
• Bishop's gambit - abstract painter James Bishop; traveling exhibition
  by Holland Cotter
• Sarajevo: art in extremis - art from Bosnia-Herzegovina - Kunsthalle, New York, New York - Cover Story
  by Jamey Gambrell
• Hannah Wilke at Ronald Feldman - New York, New York - Review of Exhibitions
  by Richard Vine
• Fred Sandback at Nolan/Eckman - New York, New York - Review of Exhibitions
  by Ingrid Schaffner
• Paul Myoda at Friedrich Petzel - New York, New York - Review of Exhibitions
  by Simon Taylor
• Herbert Katzman at Terry Dintenfass - New York, New York - Review of Exhibitions
  by Raphael Rubinstein
• Paul Russotto at Kouros - New York, New York - Review of Exhibitions
  by Vincent Katz
• Nancy Haynes at John Good - New York, New York - Review of Exhibitions
  by Ann Wilson Lloyd
• Charles Kessler at Trans Hudson - Jersey City, New Jersey - Review of Exhibitions
  by Janet Koplos
• Ron Nagle at Mills College Art Gallery & Rena Bransten - Oakland/San Francisco, California - Review of Exhibitions
  by Charlotte Moser
• 20th century AD
  by Raphael Rubinstein
• Reinvented nature: for two decades sculptor Jene Highstein has made Post-Minimalist works which are as puzzling and self-sufficient as found objects
  by Nancy Princenthal
• Robert Therrien at Leo Castelli - New York, New York - Review of Exhibitions
  by Reagan Upshaw
• Markus Baenziger at Cohen - New York, New York - Review of Exhibitions
  by Eleanor Heartney
• Dona Nelson at Michael Klein - New York, New York - Review of Exhibitions
  by Faye Hirsch
• Elizabeth Berdann and Janet Biggs at Josh Baer - New York, New York - Review of Exhibitions
  by Eleanor Heartney
• Judy Fox at P.P.O.W - New York, New York - Review of Exhibitions
  by Robert Taplin
• Brian Rutenberg at Cavin-Morris - New York, New York - Review of Exhibitions
  by David Ebony
• Elizabeth Peyton at the Hotel Chelsea - New York, New York - Review of Exhibitions
  by Jerry Saltz
• Michal Rovner at the Art Institute of Chicago and Rhona Hoffman - Chicago, Illinois - Review of Exhibitions
  by Susan Snodgrass
• Jenny Saville at the Saatchi Collection - Charles Saatchi Gallery - London, England - Review of Exhibitions
  by Tony Godfrey